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Beyond the Lights

Beyond the Lights (2014)

November. 14,2014
|
6.8
|
PG-13
| Drama Romance

Noni Jean is a hot new rising star. But not all is what it seems, and the pressure causes Noni to nearly fall apart - until she meets Kaz Nicol, a promising young cop and aspiring politician who's been assigned to her detail. Can Kaz's love give Noni the courage to find her own voice and break free to become the artist she was meant to be?

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Kidskycom
2014/11/14

It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

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InformationRap
2014/11/15

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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Dirtylogy
2014/11/16

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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Murphy Howard
2014/11/17

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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sexynavy
2014/11/18

I wasn't sure what to expect but, this was a really great movie. I've never heard of it before. I was searching for movies to watch that I haven't seen and came across this. I'm glad I decided to watch as I did enjoy it. The storyline was good and kept me intrigued to watch the entire movie. Definitely a must see.

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Blake Peterson
2014/11/19

"It seems as though Jessie J has been thrust into the spotlight without any warning," Matthew Perpetua writes in his crushing Pitchfork review of Jessie J's 2011 album Who You Are. "There's an uncomfortable inevitability about her sudden stardom." These days, new pop stars seem to enter the musical landscape out of nowhere, some of them a breath of fresh air (Lorde, Charli XCX) and some of them almost uncomfortably manufactured (Rita Ora, and ahem, Jessie J). If you land a verse on some nameless rapper's hit or Dr. Luke likes your stuff, you may as well say goodbye to humanity and welcome the burgeoning effects of becoming a pop culture product.Noni (Gugu Mbatha-Raw), unfortunately, falls under the manufactured category. She's an echo of Rihanna's easily identifiable persona, but without the personality and the individuality to match. Regardless, her album is about to drop, and industry experts are saying that first-week sales will set records. But all the press, all the attention, isn't what she wants. She's sick and tired of her life even though it has hardly even begun. In just the first few minutes of Beyond the Lights, we find her sitting on a top-story balcony ledge, contemplating whether she should jump or not.When we first meet her, she is just a little girl, awkward and entering in a local singing competition. All the other girls look like Dance Moms knockoffs, crappily dancing to crappy songs in crappy costumes. But Noni, in her outdated glasses and elementary school clothes, sings Nina Simone's "Blackbird" a cappella. We get chills, but she finds herself in the shoes of the runner-up. She turns to her mother (Minnie Driver), sitting in the audience: anger is evident in her eyes.Jump about 16 years into the future, she's the cover model for Complex and other assorted music magazines. As far as we know, Noni's mother has been pushing her to be the next Whitney while Noni passively goes along with it, secretly desiring to be a sort of Erykah for the next generation. The result should be some Mommie Dearest and Gypsy combination, but strange things have happened to Beyond the Lights. For its been-there-done-that storyline, it is lucky enough to have a talented director at its front and a well-versed screenplay to make its melancholy real. There are so many things it should be, things you expect to be, one of them being cheesy, for starters. But Beyond the Lights genuinely moved me. It is not a satire of the music industry but a character study of a young woman who has never been able to find herself because she's been told what to say and think for so long.The film eventually goes into The Bodyguard territory (Noni falls for her soft-spoken hotel room guard), but it never loses its footing. For a film surrounded by such a materialistic world, it's surprising emotionally rounded. Mbatha-Raw gives such a terrific performance that we feel as though we really do know Noni, better than her mother and better than the industry. There isn't a second we don't understand the hurt lingering in her eyes. She doesn't know what she wants, but she certainly doesn't want this.There's a scene in which Noni holds a press conference regarding what the paparazzi are calling a suicide attempt. It was a suicide attempt, and she needs help, but with the pressure of her mother and the record company watching her every move, she has to put on a dinky routine that characterizes her as a ditz who sits on ledges when she wears five-inch heels and has a few too many drinks. Mbatha-Raw is so convincing that we begin to wonder if how much we know about our beloved pop stars is actually something they wanted to share. What's hiding behind their Twitter feeds that bear more emojis than thoughts of authenticity?The climax of Beyond the Lights finds Noni shedding her purple weave and hazardously gleaming plastic nails in trade of her natural hair and a clean face. Though the scene is played silently, the emotional power comes with the consuming nature of a tidal wave. It's the first moment in Noni's life that she's had control over her looks. In truth, though, Beyond the Lights is a storm of deeply felt feelings, and we can't help but feel something too. The ending may be too forced for my taste (Noni graces a small stage at a music festival and becomes Corinne Bailey Rae when I would have preferred a more interesting Kelela type), but the film is startlingly good, cruelly overlooked when it shouldn't have been. Read more reviews at petersonreviews.com

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JessJ13
2014/11/20

When this movie initially hit theaters I did not go see it.Looking back I'm so disappointed in myself for not supporting this terrific film when it was out.What can I say about this movie....all round great movie.The acting by the two leads was just so believable and also by the rest of the casts.Gugu did so well playing this singer/star leaving me wishing that Noni was a real artist today. I highly recommend this movie to any young girl that looking to go in the music industry,just overall women in general looking to be in any industry.One of the realist movie to be released in awhile and it's not just a love story. A combination of many themes is incorporated in this fantastic movie.I just love it,great movie!!

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Larry Silverstein
2014/11/21

After seeing Gugu Mbatha-Raw's performance in "Belle" recently and now viewing her rather dazzling screen charisma here, she would certainly seem to be a rising star.She gives a superb performance as Noni Jean, a skyrocketing musical talent, living the fairy tale life of a superstar, being followed everywhere by adoring fans and relentless paparazzi. However, despite all the glitz and glamor, deep inside Noni is quite depressed and unhappy.Her every move, both in her personal and professional life, is being controlled by her extremely domineering mother Macy. Minnie Driver is terrific in the role of Macy, being totally believable. Noni is so down that on the night she wins her first Billboard Award, she attempts suicide off of a hotel balcony, before being saved at the last minute by the police officer assigned for her security.Nate Parker is also excellent here as the principled police officer Kaz Nicol who saves her life. He's also dealing with a highly controlling parent (Danny Glover), with his father planning out his life so he'll eventually run for political office and have a career in that field.Noni and Kaz will begin to build a bond, but can these two souls living in two very different worlds overcome the pressures of their controlling parents, the media, and record companies to form a lasting relationship? Just a note for the viewers: there are a number of highly provocative and suggestive dance routines, from the first scenes onward, which have sexual connotations, plus one or two actual sex scenes in the film which are not explicit.The very talented filmmaker Gina Prince-Bythewood (The Secret Life of Bees) ably handles the writing and direction here, and I really felt I got a vivid feel of what it's like to be a rising superstar in that environment.This is not a perfect film by any means, but the strong acting, appealing soundtrack, and a rousing and heart-felt finale win the day here.

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