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Deadly Impact

Deadly Impact (2010)

April. 20,2010
|
5.2
| Drama Action Thriller

Deadly Impact follows hard-nosed cop Thomas Armstrong (Flanery) whose life was shattered when he became the helpless target of a mastermind murderer. Returning home after a much-needed break, Armstrong joins the FBI to seek revenge and help track down the same killer that threatened his existence, however this time the assassin is back to terrorize not just a single person, but the entire city.

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Reviews

Jeanskynebu
2010/04/20

the audience applauded

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Robert Joyner
2010/04/21

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

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Jonah Abbott
2010/04/22

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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Tymon Sutton
2010/04/23

The acting is good, and the firecracker script has some excellent ideas.

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roblawca
2010/04/24

Worst movie I have ever seen. No exaggeration. Acting terrible, plot line worse. The idea that someone invested in this bomb is, simply, stunning. I barely managed to watch the whole movie only because I prayed that the lead female would die.She didn't.Bad guy did. Even that small joy was denied the audience.Reminiscent of the worst cops and robbers movies of the 70's.. The depths of the stupidity of the law enforcement in this movie spoke volumes of the ignorance of the writer (their couldn't be more than one). Every time you think "they can't be this stupid", they prove you wrong. Inconceivable that someone watched this and said, "Lets release this and put our names to this."I've seen porn with a more believable plot line.Didn't care for this much.

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Leo Gillick
2010/04/25

A predictable, stereo-typed load of American patriotic turd. So his wife died, you cant win it all, but that doesn't stop him nailing his co-worker later on. another perfect example of how American action thrillers display their ideal American dream achieved by loosing morals. I honestly don't recommend this for anyone, not children as its far to gory and aggressive, not adults because it is so unbelievably mind numbing it makes it amazingly difficult to watch and even harder to enjoy. As for the ending, well what a cop out. By some miracle they figure out where a mastermind is, someone they have been following for years because he makes such obvious mistakes. WHAT A PLOT HOLE! So unbelievable it actually made me cringe.Really disappointed.

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ronvashon
2010/04/26

OK, the opening action sequence...His wife is taped to a pole in a basement somewhere, surrounded by dynamite. OK, got it. They can't approach her or leave the basement or risk blowing up. Got it. The switch to shut off the dynamite is a glass vial taped to her chest. I rewound to make sure it was taped, and not implanted in some way. OK, so the bad guy says to disarm the room, the vial must be broken and somehow the only way to break the vial, at least in Alexander Vesha's mind is to shoot the woman. Why can't an object be thrown at the woman? What a hero this dude could have been. plays out something like....' Now honey, I need you to sit up straight, arch your back, close your eyes and keep completely still. The little heart on your chest? I need you to point it right at me. Then take off a shoe and hurl it at her. Break the vial and all is well. Better yet, most of the cops had helmets on. Throw one of those, or tie two together with show laces, effectively creating a ball and throw that. Hollywood, or in this case, Columbus Ohio, is fresh out of creative solutions.

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gavin6942
2010/04/27

After a horrible incident, police officer Tom Armstrong retires and moves to Mexico. But he is forced to return when the madman who targeted him once has returned, and only Armstrong knows the killer's mind well enough to play his games. But, of course, this only makes him a target.Director Robert Kurtzman ("Wishmaster"), more generally known as the FX maestro behind scores of films (often in the horror genre), brings his vision to the script of Alex Vesha, who knows something about tense situations, psychotic (but brilliant) killers and bomb scares. There are more than a handful of moments here where lives are on the line -- sometimes hundreds. Eat your heart out, Jack Bauer.While the lead role of Armstrong (Sean Patrick Flanery) has to be admired, there's no denying that Joe Pantoliano steals the show as The Lion. Menacing, devious, a master of disguise... he's a perfect casting choice for a villain. Despite decades in acting (including "The Goonies", "The Matrix" and "The Sopranos"), he still hasn't really achieved the notoriety he deserves. This probably will not be the film that breaks him into the top tier, but that day is coming. Watch out, Kevin Spacey.I have to say I'm not really keen on the romantic aspects, and there is some slowness in general where the piano music kicks in. I understand the importance of the romance and relationships in this one, but there is a break in the pace that I think ultimately works against the fast action of the movie. I cannot really offer a solution of how to reconcile the need for romance and the pace, though, so I think the best was done with what they had. I would have replaced the romantic interest with a platonic partner or boss, but that's just me.While I think the film is mildly flawed, due primarily to the pacing issue, it is worth seeing for anyone who enjoys the police or thriller genres. As stated, The Lion is a worthy villain in a long line of criminal masterminds, and Vesha, Kurtzman and Pantoliano really bring that to the forefront.

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