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Amityville: A New Generation

Amityville: A New Generation (1993)

September. 29,1993
|
3.9
|
R
| Drama Horror Thriller

Keyes, a successful photographer who lives at the border of Skid Row, notices a homeless man with a strange old mirror. Immediately struck by it for reasons he cannot explain, he convinces the man to sell it to him, soon behaving in increasingly erratic and unhinged ways.

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Reviews

Smartorhypo
1993/09/29

Highly Overrated But Still Good

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Intcatinfo
1993/09/30

A Masterpiece!

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Hayden Kane
1993/10/01

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Deanna
1993/10/02

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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Platypuschow
1993/10/03

In this seventh outing to Amityville a haunted mirror brings bad fortune, possession and death to an artist and his friends.What sets this apart from the others is the cast, it has the excellent Julia Nickson as well as industry veterans Terry O'Quinn, Lin Shaye & Richard Roundtree. Thanks to this the movie wasn't an complete bust, but still mostly.With a baffling story, very little actual horror and being another film that just screams "Milking the franchise" There isn't much to the films credit and I'd say one for fans only.The Good: Outstanding cast especially Julia Nickson The Bad:Nonsensical plot Rather dullThings I Learnt From This Movie: This Amityville binge is going to cost me some brain cells

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lost-in-limbo
1993/10/04

Here we go again, another mediocre entry to the Amityville franchise that seems to get less interesting the further along it goes. I don't know, but I do miss the ominous house itself which featured prominently in the first three films. Sure it has connections and even the image of it appears in the haunted antique mirror which came from infamous Long Island house, but it's just not the same. The straight-to-video fare "A New Generation" is the seventh film, where the terror scraps suburbia for an urban apartment building filled with budding artists who one-by- one fall to the evil entity. An antique mirror is given to a photographer by a homeless man. Soon after accepting the gift, the man starts having haunting visions of a killing spree which might just have some relevance to him. But he's not the only one who's been affected by the demonic force within the mirror, but those living in his studio building begin to find themselves possessed/or infatuated by these dark forces. The plot tries to tie in a little more to the history of the Long House island, especially with the main character's (an affable Ross Partridge) connection to what's actually happening. So most of the time is spent with Partridge's character trying to uncover the truth and dealing with flashbacks. Didn't make it any more interesting though. Predictable and interchangeable. The imitating special effects do have its moments, but there's a real lack of atmosphere and thrills. Sure it's slickly directed, but feels vapid and flat. There's a good supporting cast featuring Terry O'Quinn, Richard Roundtree. Julia Nickson-Soul and a very twitchy David Naughton that do enliven things.Hardly terrible, but rather uninspired.

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Cole_Early
1993/10/05

Not a good one. -Not at all.This installment revolves around a descent of the original murderer inside the Amityville home who must face his past to rid himself of the nightmarish terror of Amityville itself.It's basically nothing. My bet is that this film was made for some extra fast-cash to buy a boat or something... because this one's just ridiculous... Thankfully, it doesn't kill or ruin the series, but it just has no effect on the series at all.I'd have to say that just the fact that it is constantly referenced to the old, infamous house is probably the only thing that makes this one slightly more bearable than "The Amityville Curse".

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BlackSox1919
1993/10/06

There isn't enough space to explain the many ways this movie is a disappointing mess. Silly special effects and an incomprehensible plot are the least of this movie's problems. The film looks like it was conceived in the mid-eighties and just stewed until it could finally be made in the early nineties. The mullet-headed "hero," (complete with fashionable "Miami Vice" three-days shadow beard), the ham-fisted slams at Ronald Reagan, it would be funny if it didn't take itself so seriously. As it is, the movie is just pathetic. I actually feel sorry for the poor actresses who wasted their fine nude scenes in this awful movie.

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