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The Girl with the Red Scarf

The Girl with the Red Scarf (1977)

November. 18,1977
|
8.5
| Drama Romance

Asya, a peasant girl, marries İlyas, a truck driver. The couple, who love each other very much, are separated when İlyas cheats on her, and their epic love story comes to an unexpected end. After that, Asya takes her son and wanders away, not knowing where she is going, until a familiar hand reaches out to help her selflessly.

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ThiefHott
1977/11/18

Too much of everything

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Micitype
1977/11/19

Pretty Good

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Micransix
1977/11/20

Crappy film

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Deanna
1977/11/21

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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zirekmehmet
1977/11/22

The composer of the film music proved to be the best one in Turkish film industry and created a unique style which can be even defined as a new genre of his own. The rhythm changes according to the pace of the film, but melody fits to the dramatic or cheerful scenes without changing and loss of continuity. I suggest a quick search of Cahit Berkay and Husnu Senlendirici (the clarinet) for Selvi Boylum Al Yazmalım.

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Eda Nihan Algan
1977/11/23

Selvi Boylum Al Yazmalim (The girl with the red scarf) is a romantic drama, originally written by Chingiz Aitmatov and later directed by Atif Yilmaz. The film was released in 1978, falling under the "Postmortem Yesilcam" category. This indicates the fact that the film represents some elements that would generally be found in that time period. Some of which include the Turkish mentality in the late 1970s, the connotations of masculinity and a man's possession over his family, the reliance of Yesilcam films on the audience, where they showed the viewers what they wanted to see and what the lower and/or middle class people could relate to. As a further matter, the metaphorical elements of the political differences between one word titles and longer titles in the Yesilcam industry, illustrates the importance of politics in film as well, particularly during this time period. What unites all of these elements together, is the fact that they all relate back to the audience and would not have been as successful without such consideration. The film paints a dramatic picture of the Turkish culture within powerful emotions sending deep messages to the audience, and showing the importance of social and cultural issues which impact the Turkish mindset.

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semarw
1977/11/24

True love is the thing people try to find for centuries. But you will question what is "true love" while watching this classic film of Turkey.Is it a physical attraction or is it a full devotion (sharing the good and bad sides of life). The story is a known one. An innocent girl and a passionate young man... And a third person enters their life. This could be seen as a love triangle. And the girl with the red scarf has to make a decision....And you will think what you would do if you were Asya. You must think twice.

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Geronimatrix
1977/11/25

This is a story about love and faith. The author discusses the two comparable concepts based on the beautiful novel of Aytmatov.One can say many things about the technical handling of the film. But besides, the story flows slightly and fetches the viewers eyes till the end. Questions appear on mind; What love means? What does faith mean? Can love keep a couple together? Did you ever fall in love? OK, then answer this; did you ever TRY?!?... A woman with a baby stands between a one who loved too much, and another who did try his best.Sometimes life do not allow you to choose. It forces you through its own stream.Kadir Inanir and Turkan Soray starred in many films together. This film is one of their best few. Ahmet Mekin was shining, as well. You'll love the movie, if you are one of those who likes stories which sparkle questions on one's mind... And a little warning; watch out for your tears...

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