One Damned Day at Dawn... Django Meets Sartana! (1970)

Good start, but then it gets ruined

Don't listen to the negative reviews

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The spaghetti western heroes Django, Trinity, Sabata, Ringo and Sartana all fell victim to the strange copyright laws of Italy, where sequels to films just happen (such as how Bruno Mattei's Cruel Jaws was also shown as Jaws 5: Cruel Jaws). There are several non-cannon Sartana films, including Sartana Does Not Forgive, Shadow of Sartana... Shadow of your Death, Sartana in the Valley of Death, Trinity and Sartana... Those Dirty S.O.B.s and Alleluja & Sartana Are Sons... Sons of God. But today, we're here to discuss the fake Sartana crossing over with the fake Django. Confused yet?Sheriff Ronson (Fabio Testi, who lived with Ursula Andress and had a son with Edwige Fenech, so I regard him with some measure of respect and jealousy) is a newcomer to Black City. He learns that Willer, Sanchez and their men are the law in town. But now Django (Hunt Powers, who is now known as Jack Betts,. He started his career in spaghetti westerns before becoming an American character actor) is here, ready to settle an old score with the bad guys.So where's Sartana? Well, at the end of the movie, the Ronson tells Django that around some parts, that's what they call him. No, no they don't. I know Sartana, sir. I have watched his movies. And you are no Sartana.This film is directed by Demofilo Fidani, who some call the "Ed Wood of spaghetti westerns" as he often used more well-known character names in his films and has absolutely no regard for continuity. He directed mostly westerns, although he did create a giallo in 1972, A.A.A. Masseuse, Good-Looking, Offers Her Services.There's one good gunfight and not much else happens, to be honest. If you're watching this and are excited to see inventive weapons and a weird sense of humor - like the other Sartana films - you are bound to find this entry lacking.

This kind of western are too much accepted in Brazil,mainly because around the late sixties had a invasion from this italian productions in ours theatres over the cheapest price allowed for fit in brazilian pockets,another important thing to ad is about a violence available in those pictures a bit more than american productions,in this one a usual movie about endless Django against contless Sartana,nothing new just the same on bad image of course!!Resume:First watch: 2017 / How many: 1 / Source: DVD / Rating: 4

Django and Sartana team up to fight back against two gangs of outlaws who are terrorising a lawless town.The unique angle of this Italian western is in combining both the Django and Sartana characters together, both of whom had their own series of spaghetti westerns. Although it does have to be said that this distinctive aspect has to be set against the fact that both protagonists only resemble these characters in name and act decidedly differently than usual. Truthfully, it seems obvious that these names were only applied to the characters as an after-thought. Quite honestly, this is a very clichéd and derivative affair with stock characters such as an enigmatic bounty hunter and amoral villains aplenty. But despite all this, I found it overall to be slightly better than average for this kind of thing. It didn't descend into tedium too often and its sparse running time seemed like good manners on the part of the film-makers. So, while any seasoned fan of this kind of thing is highly unlikely to find anything new here, I still think it entertains more effectively than many others in the sub-genre.

ONE DAMNED DAY AT DAWN...DJANGO MEETS SARTANA! would have you believe it chronicles a meeting between those two icons of spaghetti western cinema, yet, as with so many others, the title is a misnomer and the names seem to have been added in post-production. That's particularly true in the case of Sartana (Fabio Testi), a rather weak and weedy sheriff who finds himself at the mercy of a criminal gang in this movie. At least Django is clad in black and thus looks the part...This middling western involves the usual clichéd gang of criminals wreaking havoc in a western town and bumping off anybody who gets in their way. When Sartana arrives in town to clean things up he finds himself with his hands full, so the silent and brooding Django steps in to help out. ONE DAMNED DAY AT DAWN... is full of action, but none of it is particularly impressive, with non-existent choreography and a whole lot of familiarity in the events that play out. The storyline is straightforward at best.Jack Betts (under the pseudonym Hunt Powers) successfully conveys Django's brooding persona, but Fabio Testi is a disappointment in this. His character is irritating and he only comes into his own at the climax. None of the others in the cast stand out. Director Demofilo Fidani made a career in cut-rate westerns but I suspect most of them are of second-rate quality, like this. Only a few scenes, like the bit with the arm wrestling and the candles, are memorable.