Their Purple Moment (1928)

Absolutely Brilliant!

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.After their previous 1928 efforts saw a step in the right direction and the two were starting to hit their stride while still evolving, 'Their Purple Moment' sees a couple of steps backwards and something of a disappointment. Certainly far from terrible and it is a long way from a misfire of theirs (up to this point '45 Minutes from Hollywood' was the only one to fit this distinction), but 'Their Purple Moment' is far from a gem. It is a shame because their previous 1928 efforts were so promising and the concept here was not a bad one.Laurel and Hardy's work was never known to have particularly great stories, which tended to be the weakest element. 'Their Purple Moment' is no exception, on top of being flimsy it is also more predictable, hackneyed and repetitive than most with outcomes being easily foreseeable and some of the content being hit and miss as well as rather repetitive at times. The pace sometimes could have been tighter. 'Their Purple Moment's' weak link is the ending, a real fizzler that is rushed, uninspired and somewhat tasteless.On the other hand, Laurel and Hardy are more than very amusing, particularly Laurel, and they work well together. Three quarters of 'Their Purple Moment' does mostly amuse and has some fun and well timed moments and gags. It's not dull, is competently directed, has a nice supporting cast and holds up quite well visually.All in all, definitely worthwhile but not a Laurel and Hardy essential. 6/10 Bethany Cox

This is another of Laurel & Hardy's early shorts that I watched on Hulu as linked from IMDb. This seems to be the first time they have wives that boss them around so they have to sneak around in order to have some fun like later on in films like Be Big or Sons of the Desert. In this one, Stan & Ollie go to a restaurant after a couple of men run out on their dates so the boys volunteer to help pay for the women (Kay Deslys, Anita Garvin) left behind. But both men find out their wives took their money without them knowing. And the gossiping woman, seeing them all there, goes back to tell the spouses what's what. I'll stop there and just say that not much funny happens until the food fight that ends the picture. It replaced an earlier sequence that involved Stan & Ollie dressing as women that was filmed but I'm guessing that's now lost. There's a still from that scene in Randy Skrevedt's book "Laurel and Hardy: The Magic Behind the Movies". On that point, Their Purple Moment is at least worth a look.

Their Purple Moment (1928) *** (out of 4) Laurel and Hardy hold out some of their pay so that they can go out on the town but their wives find their hiding spot. When the boys are out they run up a tab and must find a way out. There are plenty of laughs here including a wonderfully funny food fight at the end as well as a nice sequence with the two trying to sneak out of a restaurant.I viewed this in the UK, 21-disc set, which is a dream come true for fans of Laurel and Hardy. The price has recently dropped on the set so any fan should certainly look into picking it up.

For about three-fourths of the way, Their Purple Moment is a sharp, funny Laurel & Hardy comedy, albeit one with a distinctly sour take on married life. This is the first of the L&H domestic comedies, and sets the tone for much of what would follow: Stan and Ollie are each at the mercy of their domineering wives, a pair of hard-bitten shrews who treat them like children, promptly appropriate their paychecks, and deny them any pleasures. (Later on the wives would usually be more nuanced, sometimes even sympathetic, but in this early film they're quite mean.) In what would become a standard plot for the team, this film tells the sad story of what happens when the boys attempt to fool their spouses. Of course, the only question is just how disastrously the situation is going to backfire.Here, Stan and Ollie tell the wives they're going bowling, then defiantly set out on a spree, under the delusion they've got lots of cash on hand. So when they encounter two attractive young ladies in distress, stuck with a bill they can't pay, naturally, they step in and gallantly offer to treat them to dinner. And it's all downhill from there!The situation the boys blunder into is a well-constructed comic nightmare that steadily builds in intensity, and the sequence is genuinely suspenseful -- right up to the food-fight finale, which is such a fizzle it practically ruins the whole show. This is surprising, considering that, according to the various books on the team, a much more offbeat and imaginative ending was planned and filmed, but then jettisoned. The original finale utilized the midget troupe of entertainers who perform a floor show in the restaurant. In the earlier version, when the boys discover they have no money to pay their bill, they were to escape by disguising themselves as midgets -- midget women, at that -- and slip away with the troupe. The idea flirts with tastelessness, but it sure seems funnier and more memorable than the finale as it stands now.Oh well. There are good reasons to watch and enjoy Their Purple Moment nonetheless, among them the famous gag of the uncle's portrait with the hidden pocket, the spirited performance of Patsy O'Byrne as the town gossip, and the always welcome presence of Anita Garvin, here playing a good-time gal who packs a knife. There's also a priceless close-up of Stan, when it dawns on him that he has no money to cover the ever-growing tab: in an extended shot he displays a remarkable range of expressions, from horror to befuddlement, to hope and despair and back again. He was the greatest!