Where's the Party Yaar? (2004)

You won't be disappointed!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I remember seeing this at a 3rd I Film Festival, and I was shocked at how bad it was. The whole genre of "Indian-American films"- from American Desi onward- is usually amateurishly written, and keeps focusing on the same themes over and over again- not "fitting in" to American society, having difficulty with parents, dating, stereotypes of Indian culture, etc. The only reason 2nd generation South Asians like them so much is that between Bollywood and Hollywood, there was no genre that represented their experience. On top of that, I found the FOB caricature offensive (and I am an "ABCD" myself)- having parents, friends and relatives who are "FOBs" from metro areas and don't fit the stereotype of socially awkward, bad-smelling people that can't speak proper English. It's almost like ABCDs take pleasure in pointing out the differences because they are ashamed that many Anglos think of US that way. There is a wide diversity in the people who immigrate here, and I know that my cousins in Bombay, Delhi and Bangalore actually grew up in far more liberal and progressive environments than we did here- their parents had no problems with them dating in high school or becoming artists or whatever. And that's not to say that a person who grows up in a small village in Gujarat or Andhra Pradesh is going to smelly, socially-awkward and not worth knowing, just because their values are traditional or they dress differently. Indian-Americans who have been the target of racism here and therefore ashamed of their origins shouldn't take it out on their "FOB" brothers and sisters.

Kermit the Frog once said "it's not easy being green", from the endless growing up Indian movies lately, it's not easy being brown either. There have so many of these "growing up brown in America" movies in the last decade, mostly low budget flicks that don't get a whole lot of press. The premise has nearly been run into the ground, traditional over bearing parents that are always in the wrong, rebellious kids who want to fit and date like everyone else and always in the right. One thing these movies have taught us for certain is this, if you're brown and growing up in America, you have a harder time assimilating into the mass culture then lighter skinned people. We've been told this over and over and it really does get tired. For young Indian Americans these films may perhaps be of deep cultural significance, loaded with in jokes that non-Indians may not get. For much of white America, they will strip the film down to it's basics and call it a "country mouse meeting city mouse" story and think "meh, what's the big deal?" Probably gutting the Indian Americans who think they struck comic gold showing off the cool Indians vs. the over exaggerated fresh off the boat (FOB) immigrant Indians. This story is going to simply come across as a country kid moving to the big city to mainstream America, only with East Indians in it, and they will likely miss the deep rooted angst and confusion that Indians want to convey. The movie shows the Indian Americans as self assured, cool and all around well adjusted while the immigrated FOB Indians are socially clueless. Nevermind that the character of Hari as presented in this film would probably be considered a moron even in India, the filmmakers know they have to make Hari that silly of an FOB Indian to justify his mistreatment by the Indian Americans. To make more of the desired impact that the Indian American culture so desperately seems to want to make with mainstream film goers, a more concrete and weighted story has to be delivered with far more sincere actors. It would be interesting to hear what real people in India think of this film, as about 1 billion people are being derided and made out as ridiculous caricatures. Of course a braver movie would show regular Indian Americans mistreating and not including normal behaved and decently dressed immigrant Indians in their social activities for the sole reason of their own xenophobia and insecurities...but that would be hitting too close to reality and I doubt any writer/director would be that brave.

One of the worst home videos that someone dared to make copies of and tried to distribute. This movie (if you can call it that) is full of 2 things -- ethnic stereotypes and racial slurs.There are no actors in it (and therefore no acting to speak of). There is no storyline or plot so if the direction was sloppy it didn't matter much. It is supposed to be about the tension between newly arrived and settled immigrants with regard to their lifestyles, habits, and so on. And also perhaps about the generation gap between 1st Gen. parents and their 2nd Gen. (or Gen. X) US-born-and-raised kids. Had it been thought out and skilfully done, it could have examined/explored a whole variety of issues confronting immigrants of every size, shape and color. And in so doing, transcend racial, ethnic and other divisions. But it ended up becoming a caricature of US-based Indian expatriates, and a ghastly one at that.There are many decent-to-excellent options in the low-budget/indie film category that can be viewed as an alternative. A better name for this movie is "Where's the Potty Yaar?".

This is a movie about an Asian Indian family living in the United States. Mo Bakshi (Kal Penn) was raised in the U.S., is familiar with the way of life and is considered one of the cool kids. Harishkumar Patel (Sunil Malhotra), or Hari for short, is what the americanized Indians referred to as "FOBs" or Fresh Off the Boat.Hari comes to the U.S. in order to go to college. Before he goes, he is foretold by his family in India that his true love will fall on him like lightning from the sky, that her name began with the letter "P" and would fall in love with him on the night of a full moon. On his first day in class he meets Priya (Tina Cherian). Actually, she trips onto him and he interprets this as falling from the sky and chases her for the remainder of the movie.Throughout the movie, the FOBs are trying to get into the cool parties while guys like Mo and his buddies do their best to keep them out. I suppose this movie is trying to point out the differences between them and even goes as far as to say they are racist against their own heritage. It is a little hard to explain but I understood the movie completely.This was titled "Dude, Where's The Party?" at the video store and billed as a comedy. After just coming off of watching Harold & Kumar Go To White Castle, I figured this was a "can't miss" movie. While it was not too terrible, it was nowhere near as funny as Harold & Kumar (with the exception of maybe one scene). I kind of got the picture they were trying to capitalize on Kal's Harold & Kumar fame by releasing this movie afterward, even though it was made before and the box cover could be misconstrued as well.Also, some of the actors are in need of acting classes or something. Most of the smaller parts I guess. I did not think the women were all that beautiful either, with the exception of Mousami Dave, who plays Poonam Mehta. Mousami was by far the hottest girl in the movie. With all things considered, I rate this in the middle and would honestly recommend to pass on this film. 5/10