The Outriders (1950)

hyped garbage

Absolutely the worst movie.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

The Outriders is directed by Roy Rowland and written by Irving Ravetch. It stars Joel McCrea, Arlene Dahl, Barry Sullivan, James Whitmore, Ramon Novarro, Jeff Corey and Claude Jarman. Music is by Andre Previn and cinematography by Charles Schoenbaum.Plot sees McCrea as Will Owen, the alpha male of three Confederate prisoners who escape from Camp Benton Stockade and promptly get recruited by one of William Quantrill's Bushwhacker units. Assigned to infiltrate a Don Chaves (Novarro) run wagon train that's carrying a fortune in gold, the men must deal with Indians, each other, and the hazards that the journey throws up. Out of MGM with some production value of note, The Outsiders rises above simplicity of story to unfurl a darn fine Oater. Narratively it has strengths, where Owen's moral conscience forms a spiky backdrop to plotting. Be it his views on the unsavoury tactics employed by Keeley's (Corey) Bushwhackers, and his place as the undercover leader leading the wagon train to doom, or the positioning of his feelings - and others around him - towards the female of the group (Dahl) and that of her teenage brother-in-law. Owen is definitely in emotional turmoil.From an action stand point the pic doesn't short change, with Indian attacks, internal fisticuffs and a rousing chase followed by the big siege finale, all of which are delivered admirably and scored robustly by Previn. The stand-out, though, is a high energy section of film that sees the group trying to get over a river at high tide flood level and is running a current of death! These scenes are expertly constructed and are of the breath holding standard. Yet the greatest part of the piece finds the group indulging in a square dance evening, where the men are blowing away the cob-webs with hooch, while the delectable Dahl holds court right in the middle. The sexual tension is palpable, the atmosphere electric, and as it happens, it forms a key part of proceedings.Tech credits are high as well, led by the the excellent capturing of the Utah locations by Schoenbaum, this is most pleasing on the eyes. Technicolor is perfect for such an airy Oater, the primary colours positively booming on the screen (check out the water and fire shots), while Dahl was made for such colour lenses. The aforementioned square dance sequences showcase her sexual beauty, with flaming red hair and glorious emerald green shoes acting as glorious crowns to a most appetising filling.Yes the story is soft, and anyone jaded by the formula of many 1950s Westerns should probably avoid this one - with most almost certainly knowing how it's going to pan out anyway. But there's so much to like here for me to suggest it's an undervalued pic and worth seeking out. Especially for McCrea and Dahl fans. 7/10

Confederate prison escapees plan to hi-jack a Union gold shipment and divert it to the South. Priorities, however, are complicated by a key rivalry over a girl and a temptation to just keep the riches for themselves.Better than average Technicolor western. For once, MGM's tendency to over-produce its horse operas gives way to a wise use of money for a western. Happily, glamour and glitz are kept in check, except for actress Dahl. Still, her wardrobe for a wagon train is not too outlandish. Instead, the production makes excellent use of its scenic Kanab, Utah, locations, along with a fine A-list cast and enough extras to make the battle scenes interesting. What grabbed me, however, are two storyline surprises that defy expectations. Plus, for once, battles don't just unfold willy-nilly, instead Owen (McCrea) thinks along tactical lines to gain an advantage. Sure, a hi-jacked gold shipment and a rivalry between sometime buddies (McCrea & Sullivan) are familiar plot devices. Nonetheless, it's a better-than-average script, with several good touches (e.g. Sullivan's loaded gun at the end).That river-crossing scene is clearly the movie's centerpiece and is impressively done. The torrent is big and bad enough to make the fording a genuine nail-biter. I'm guessing those were not easy scenes to film.Anyway, it's a fine McCrea western even though he gets less focal time than usual.

During the last year of the US Civil War, confederate prisoners Joel McCrea (as Will Owen), Barry Sullivan (as Jesse Wallace), and James Whitmore (as Clint Priest) escape from a Union prison camp. They hook up with a band of cutthroats led by Jeff Corey (as Keeley) and join a plot to steal gold from wagon master Ramon Novarro (as Antonio Chaves), which would help the Confederacy. Among those on Mr. Novarro's wagon train are an arousing blonde widow Arlene Dahl (as Jen Gort) and her young brother-in-law Claude Jarman Jr. (as Roy Gort)...Written by Irving Ravetch, there are some unusual touches here, beginning the opening "overkill" of the young Union officer. The tension between characters promises more conflict than actually occurs, and an undeveloped character's fate is a wash-out. Still slumbering along without ever catching fire, "The Outriders" is a colorful, well-cast but routine western. Perhaps, fewer characters would have been preferable, beginning with the escape of two instead of three prisoners. Former "silent" star Novarro gives an note-worthy supporting performance.****** The Outriders (3/1/50) Roy Rowland ~ Joel McCrea, Arlene Dahl, Ramon Novarro, Barry Sullivan

Joel McCrea did another western with a similar premise to The Outriders for Warner Brothers in South of St. Louis. That was three partners in a cattle ranch who all went their separate ways as a result of the Civil War. Here to the premise is three men who also go their separate ways as a result of the Civil War. Here the shared experience is prison camp. Joel McCrea, Barry Sullivan, and James Whitmore are Confederate prisoners who escape in early 1865. In effecting their escape they fall into the hands of a rebel guerrilla leader played by Jeff Corey.Being guerrillas these guys don't play by the rules. The trio either goes west to Santa Fe to act as Judas goats and lead a gold train into ambush or die right there. Even the always honorable Joel McCrea sees he has no options here.The rest of the story is how the conflicts internal and external are resolved and how the three escaped prisoners decide what course they have to take. Oh, and Joel McCrea meets up with Arlene Dahl and she kind of helps him along in the decision process.The movies never had a more honorable or stalwart hero than Joel McCrea. And if you've seen any of his films, fans will know that whatever he does it will be the honorable thing. It's a tribute to McCrea that if he insisted on always being the stalwart hero, he had the talent and personality to carry it off.It's familiar ground for Joel McCrea, but western fans will like the story and the gorgeous technicolor photography that captures it.