Night of the Strangler (1972)

Sorry, this movie sucks

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

This is a gorgeous movie made by a gorgeous spirit.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

There are seeds of a good film here in a story about a man, The Monkees' Micky Dolenz, who disowns his sister after learning she is pregnant with boyfriend's baby because her boyfriend is black. The sister is later found murdered, which leads Dolenz and a black priest to investigate the murder, which has been disguised as a suicide, trying to find an individual with a peace-sign belt buckle who they suspect is the culprit. There could have been some interesting commentaries on race relations with this kind of a set-up, but the film is basically a cash grab exploiting the real-life Boston Strangler, who still at-large, and following a big budget Hollywood production a few years before about the Boston Strangler. Never mind that no characters are actually strangled and the story has nothing to do with that case. It's a super cheap production without any real scares or suspense, so there's not a lot to recommend outside of the novelty value of seeing Micky Dolenz is a very un-Monkees-like role. Well, he is still a bit of a 1960s hipster/hippie, but he plays a much darker character than his Monkees Micky character. Overall, "The Night of the Strangler" is a forgettable quickie low-budget picture that offers a darker role for Micky Dolenz, but is a missed opportunity for murder mystery about race relations.

The Night of the Strangler (1972) ** (out of 4)A woman starts off a wave of murders when she returns home to announce that she's getting married. Her older brother Dan (James Ralston) isn't too happy but he goes balistic when he learns that she's also pregnant with a black man's baby. Soon her baby daddy is dead and the sister is too shortly after. Soon the entire family gets wrapped up in a murder plot.THE NIGHT OF THE STRANGLER was sold as a horror movie but it's really not one. I guess you could say it was an attempt to tell a detective story based around some racial events but THE BIG SLEEP or GUESS WHO'S COMING TO DINNER it's not. For the most part this will appeal to fans of low-budget films that were made without too much thought, money or talent.I guess the most notable thing about the picture is that Micky Dolenz plays the younger brother. His performance is certainly lacking and especially during a crying scene he has. Ralston is at least entertaining enough and especially early on with some of his racist rants. The rest of the cast ranges from decent to poor. There's some mild nudity and violence thrown in but nothing overly memorable.THE NIGHT OF THE STRANGLER somewhat works as the mystery of who is doing the killings is handle well. There are a couple nice scenes but most just fall rather flat.

Probably the most well-rounded film I've seen from thriftbudget auteur Joy N. Houk, NIGHT OF THE STRANGLER touches on Southern U.S. racial tensions in an otherwise boilerplate whodunit which some may regard as a slasher genre prototype(take note that the "strangler" of the title kills in a variety of ways...none of which are by strangling!). The story in play recounts two at-odds brothers imputing one another in the suspicious deaths of their interracially intimate(and pregnant) sister and her lover. Roused suspicions result in more killings and a muster of potential offenders as the mystery snowballs to a sufficing, though slightly deflating, "surprise" denouement.While the film never really manages to camouflage its third-string foundations, it works well enough as basal entertainment despite a few flat stretches and uneven scripting(and it features a fun go-go groovy psychedelic opening theme played on some old Farfisa-type organ). MONKEES bandmember Micky Dolenz provides a satisfactory performance, and the rest of the cast follows suit(although, to no derogation of the performers, their roles aren't exactly what one might call "demanding").A tenantable B film for the general votary of secondary 70s cinema, though far from a crucial one. 5/10

For an older movie with less usage of money, the movie was really weird but in a way scared me. I personally thought it was great, but with a sad ending..well just sad together. If you are a Micky Dolenz/Monkees fan, this movie is a must to get.