50 Ways of Saying Fabulous (2005)

The Age of Commercialism

From my favorite movies..

The acting in this movie is really good.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Despite reviews referring to 50 Ways as "charming" the movie is hardly a pleasant coming of age film. If you're looking for something sunny and lighthearted to watch look elsewhere. Though 50 Ways is quite sunny in its setting, New Zealand during a drought, there is a mean tone throughout the film as the cruelty of children and families is accurately portrayed over and over and over again. (So much so that when the films main bully, a standard stock character adolescent bastard, plunges over a bridge to the rocks below it feels like a bright spot in the film.)The scenery is nice, the acting is good. The music is horrible and plentiful, meandering flute tunes that seem as if they're meant to hammer home the notion of how charming it all is.50 Ways is pretty boring, nothing much happens except children being mean to anyone different than them and some moments of melodrama which seem thrown in just to make the film more exciting. There are also some fantasy sequences which are so irregular in their appearance that they seem as if they somehow bled over from an entirely different film.

Before expressing my opinion, I must say that (while I have no personal involvement in the film project) being a school teacher, who's gay, and who grew up and lives in the area in which this film is set - I strongly identify with it."50 Ways of Saying Fabulous" has a strong ring of authenticity to it. This may not translate well to the world outside Central Otago, New Zealand - but for a local there's a lot to recognise. A 'coming of age' film it is, but it is also a lot more. It's a brave telling of the true childhood stories that we tend not to allow to see the light of adulthood. The actors achieve the perfect balance between the paradoxical naivety and knowingness characteristic of the early teenage years. They inspired me with the bravery of their (sometimes misguided) idealism and the story leads them to expose, through their inevitable frustrations, a lot of the senselessness of the restrictions of our narrow society. I loved the relative absence of developed adult roles. The children were not only the main protagonists, but with the unwavering focus on their story: their view became ours - no translation required. Those who would criticise the 'cheesy low budget space-show' scenes woven throughout the film must surely have forgotten the fantasies of their own childhood, or perhaps they never needed to resort to fantasy to escape an all-too-restrictive daily reality. These sequences really were very funny in all of their overt symbolism.The bravery and incredible sincerity of the outcast character "Roy" (played with unwavering emotional and physical conviction by Jay Collins) struck a chord with me. The tragedy of his determination was almost too much to bear.I found the shifting of accent for the character "Jamie" (played by Michael Dorman) a little jarring. Somehow "South Auckland Polynesian, circa 2005" segued into "Aussie Battler" a few too many times for me to suspend disbelief.The filming, in the stunning wilds of Central Otago, captured the vast emptiness of the place beautifully. The characters owned the terrain, there was nothing else there. The intense colour saturation reinforced the historical nature of the film (It was set in the 70's). The drought, and the constant threat of fire, added beautifully to the undertone of tension. Something might go wrong.Stories like this need to be told over and over in all their variety and colour. I loved sitting in our local cinema surrounded by teenagers from the school at which I teach and seeing them enjoying and responding to the message to "be themselves". New Zealand is perhaps coming of age too, to see a feature film of this nature to fruition.Anyone with a curiosity for the culture of this isolated southern island would do well to catch this film. It adds a new chapter to the story of where we come from as told in the likes of "The Piano", "Heavenly Creatures" and "Once Were Warriors". Fabulous.

What an enjoyable watch with a real sense of rural New Zealand in the 70's. There were some wonderful performances from the children & the audience embraced the gentle humour & story, especially it seemed, an older generation. It connected with an audience who either knew these characters or anyone who had grappled with the complications, the lows, the trivia & the joys of growing up. The landscape of Central Otago looked stunning & was transformed into an amazing moonscape in the day-for-night scenes - loved that moody twilight world.The 'look' actually reminded me a lot of the genius & madness of Canadian Director Guy Madden's films. The 'zany' quality w/ camera zooms, fantasy sequences & OTT music worked fabulously together, but it's a rare beast that also has a sensitive, good looking and well told story - all bundled into one fab package. Well done I say!!

The BEST movie out there!!!!!!!!!!!!!!!!! I loved it!!!!! I thought that the whole setting and story plot was beautifully set out and just overall you have to see it to get what I'm saying!!!!! I thought the character Billy, that Andrew Patterson played was just done perfectly and it just shows you that life has its surprises and it's ups and downs. Obviously everyone has their own characters and personalities and it's sad that not many people follow their heart, cuz that just shows our uniqueness and individuality. I would definitely give this movie 10/10 and I'm soooo buying the DVD when it comes out cuz its just one of the best movie's I've seen in a long time!