The Water Diviner (2015)

hyped garbage

Fresh and Exciting

Blistering performances.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

From the first second I started this movie it had me on the tip of my seat for the rest of the duration of the film. So much suspense and thrill and hurt and emotions..... The battlefield scenes were so touching. Him talking about his children. The few flash forwards and the fact that he just felt things he could have never known for sure just really touched me. Now mind you, I am Aussie nor am I Turkish. I am a humble girl from Holland and even though I have loved my history classes (up to a certain extent), here they have never taught us anything about the battle of Gallipoli, just a faint story about Troy, so this was all the more interesting to me as I am just a fan of war stories - not so much a fan of war, just to be clear - and a good flash back in time to make me feel as if I was there, right in the middle of it is just everything for me. To feel every emotion they are feeling and/or must have been feeling at a certain point in, for a certain period of time....all that to come to that crappy ending! The synopsis of the ending itself was fine but it just stopped so sudden I just thought ''what in the frock is this.''I just thought the ending could have ended just a bit more subtle. Now it was just like ''okay well this is the end of the movie and you know it so.. bye bye!''That just kind of ruined it for me. Especially since it's often the ending that stays with one the longest.This still should not prevent you from thinking that this is a crappy movie, cause this is definitely a must-see. MUST. Still, crappy ending.

I didn't know what to expect from this film, and the subject seemed depressing: a father goes searching for his dead sons in Turkey. However, it was gripping, involving, full of 3- dimensional characters and depths of meaning. The cultural authenticity looked impressive to me, although I as no expert.. All I knew prior to this film was that the Dardanelles campaign in WW1 cost many Anzac lives and was regarded as a disaster. For Russell Crowe's family it was the loss of 3 sons, and all that the father could do was go to where they died to find them.The story builds to a gripping climax and the ending was completely unexpected. I was very impressed, having always been a Russell Crowe fan, with his ability to direct and produce something so meaningful and historically informative, while at the same time giving us a story so moving and ultimately rewarding. Very glad I made the effort to see this.

"Are there any more records about my son? We are Ottomans, not Germans. "It looks like "Russell Crowe movie week" here. After "Fathers and daughters" I had to check his directorial debut. And to be honest, I thought this postwar dramatic film was much better than the sugarcoated "Fathers and daughters". In both films the father figure plays an important role. In "The Water Diviner" however, he's a grieving father whose sons were killed in the Battle of Gallipoli, which took place in Turkey during the 1st World War. A bloody battle, on a piece of land as large as a handkerchief, between Turkish troops and a corps with Australian and New Zealand troops (Australian and New Zealand Army Corps or ANZAC). It's beyond dispute that wars provide disgusting scenes which once again demonstrate the absurdity of such tragedies. The agony of the three brothers on the battlefield was the most unpleasant and difficult part of the entire movie. It was so terrible to watch. I really had enough of it at a given time. The relevance was clear to me. It wasn't clear to me why it had to take so miserable long.Apart from a few hiccups, I thought it was a fairly successful film. Looking at the technical side of the movie, you could say it was excellent. Perhaps it seemed to be a dramatized travel documentary at times. But the palette of colored fabrics and the interior view of Turkish mosques assured some visually stunning images. The phenomenal scene in Australia, where Connor (Russell Crowe) protects his three sons against an impressive sandstorm, was a breathtaking moment. And this impressive imagery is used throughout this reasonable epic adventure story. It resembled a bit "The Physician". In this case it's someone from down-under who gazes at the traditions, the folklore and the beauty of Istanbul. Naturally this leads to intercultural conflicts with a few yelling Turks, who defend their values, and a fleeing Aussie.The historical side was also fascinating. I don't know that much about the 1st World War. And certainly not about what happened in the Arab part of the world. The Turkish community wasn't happy about welcoming Australian tourists afterwards. This was also presented realistic. At the same time the cooperation between the ANZAC and Turkish Major Hasan (Yilmaz Erdogan) also didn't proceed so smoothly and the intense hatred again resurfaced. And just let me mention the scene at the beginning with the local priest who has a huge problem with the burial of Connor's wife, because she committed suicide apparently. A strong moment. A proof that the short-slightness and insensitivity remained intact through the years.Altogether it's a wonderful debut from Crowe. And this combined with a not so bad leading role. The role Erdogan played was also noteworthy. A calm Turkish Major who forgets his grievances and offers his help to identify the tens of thousands of victims without hesitation. And additionally also aid Connor with his search for his lost sons. Dylan Georgiades plays the role of son Orhan enthusiastically. While the ultra-cool Olga Kurylenko gives shape to the widow Ayshe. An exotic beauty who's aloof at first, but as the film progresses her icy attitude slowly melts.And now it's time for the disappointing elements of this yet fascinating film. The "station novel"-like love story that was incorporated, wasn't really necessary according to me. The fact that it's about two individuals from two different cultures and each bearing a loss due to the war, sounds plausible. But they should have left it at that. The paranormal talent Connor supposedly possessed, was grossly exaggerated. Sure, maybe he can find water in the bone-dry Australian desert by using a twig. I'm willing to believe that. But him standing in the middle of a battlefield in a sort of trance surrounded by the rotting remains of thousands of victims and miraculously finding the location where his sons are lying, was a bit ridiculous. And then the Indiana Jones imitation in the end, clashed a bit with the rest of the film. But the biggest annoyance was the sound. The dramatic music and sound effects were terribly noisy. By contrast, the conversations were at whisper level. I had a sore thumb afterwards because I had to use continuously the volume button. But ultimately it was still a magnificent movie.More reviews here : http://bit.ly/1KIdQMT

Joshua Connor (Russell Crowe) is an Australian farmer who lost his three sons in the Battle of Gallipoli. Four years later, his wife Eliza dies and he vows to bring his sons home to be buried next to their mother. In Istanbul, he rents a room from war widow Ayshe (Olga Kurylenko) who is under pressure. Connor sneaks into Gallipoli despite the British military. Major Hasan commanded Turkish troops during the battle and decides to help Connor find his dead sons.There is a sense of the great epic. I really like the movie going to Gallipoli. However, it goes on a little too long with a few twist that is less believable. It would be better to not have those turns. It also tries to make the Turks victims and the Greeks villains which doesn't necessarily sit well. I do have a few problems with the story in the second half. It's Russell Crowe's theatrical directing debut and his visual efforts are impressive. He is able to keep flow of the story and shows some solid skills as a director.