Darkroom (1989)

Horrible, fascist and poorly acted

Good story, Not enough for a whole film

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

Wow… that was creative use of opening credits (which supposedly Nico Mastorakis directed), but sadly that's where it ends. The obscure "Darkroom" is a very mediocre late 80s slasher produced by infamous film-maker Mastorakis (the man behind the controversial "Island of Death"). This run-of-the-mill psycho-slasher has maybe one or two effective stalk and slash set-pieces, but for most part it's a vapid experience level at its flatfooted direction, drawn out pacing, poorly disguised mystery and lacklustre performances (saved by Sara Lee Wade). Actually there's a lot wrong with it; however it remains viewable for some unknown reason. Where did they get this tacky sounding score from, it sounded like something that you would find in a TV episode. The setting does work to its favour though, being an isolated farmhouse (which looks like the one in another Mastorakis produced film; "Grandmother's House") and scrubby surroundings for this terror to unfold. Everything about it is telegraphed, from its attempts at suspense to its twisted reveal. There's nothing subtle about the writing, as the script delivers some strange dialogues, random developments and a typically clichéd back-story illuminating the killer's motivation. In the past he saw something he shouldn't and this made him a disturbed, ominous individual who likes voyeurism and snaps photographs of his victims before and after his done the deal. The pace plods with characters acting suspicious, but the back-end does pick-up the energy with the cat and mouse interplay, but it goes about it in a completely daft and contrived manner. "I want you to die"

I picked up an old and dusty VHS copy of "Darkroom" at a nearby video store that was shutting down, and I actually even hesitated to spend 0,50€ on it. The synopsis and the cover image on the box – same one as illustrated here on the website – made it look like yet another cheap late 80's erotic thriller with a plot like there are thirteen in a dozen and a handful of tame & tedious soft-core sex sequences. I bought the VHS after all and can't say I regret it very much. Of course it is a predictable and largely inept attempt at making a slasher movie, but hey, at least it contains a few interesting elements and it didn't bore me to death. The plot is relatively simple and straightforward. Janet (an amazingly hot 80's babe) and her boyfriend Steve (a imbecilic mullet-guy who desperately wants to look like Patrick Swayze in "Dirty Dancing") are home at the isolated family farm to spend a weekend together. The farm homes Janet's mother, her two sisters, her grandfather and two cousins. Janet's father as well as her aunt and uncle mysteriously died in a fire several years ago. The only neighbors that live close to the family has been butchered by a maniac during the opening sequences of the film and now Janet's youngest sister Paula is missing. When they discover her mutilated body, they know there's a maniac killer amongst them. The climax of the film and the identity of the killer are perhaps too easy to predict, but "Darkroom" compensates the lack of originality through openly hinting at some clichéd taboo- subjects like incest, family feud and voyeurism. As the title suggests, the killer photographs all of his/her victims before, during and after the process of murdering them. The body count is also quite a lot higher than in other contemporary slasher flicks. And, even though most of the actual killing occurs off-screen, the murders and especially the way they are committed are barbaric and deeply unpleasant. Nice bit of trivia for horror fanatics: "Darkroom" was produced by the Greek writer/director Niko Mastorakis; infamous for the insane and widely banned "Island of Death".

A psycho-killer is on the loose at Janet Templeton's family farm.When Janet's sister is brutally murdered,her boyfriend and her family become targets of the killer's psychotic and passionate aggression."Darkroom" is a fairly routine slasher flick that offers literally nothing new for the fans of this sub-genre.The pace is painfully slow and almost all the killings are committed off-screen.The acting is bad and there is absolutely no suspense."Darkroom" was produced by Nico Mastorakis,but his sleazy and infamous "Island of Death" is much better than this piece of mediocrity.Give it only a look,if you are a collector of obscure and forgotten slasher flicks.5 out of 10 and that's being generous.

Dark Room was produced by Nico Mastorakis who himself has directed a number of underground genre pieces. His credits include Island of death, Edge of terror and the stalk and slash themed thriller Blind Date. This obscure late eighties effort generally keeps its roots in the murder-mystery sub-category that Mastorakis is so fond of working with. It includes enough of the typical clichés to make it one of those slasher/thrillers that were commonplace throughout the decade, although the cover description would lead you to believe that it's ‘a tale of sexual repression and revenge.'(!) Janet (Jill Pierce) is an attractive teen that's returning home to her family farm after a long stay with her outrageously mulleted boyfriend Steve (Jeffrey Alan Arbaugh). She's picked a bad time to come back, because an unseen someone has just murdered a cheery blonde and her husband with an axe, only a few miles away. The killer watched his victims through a camera before hacking them up and then taking photos of their bloodied corpses as they lay lifeless on the floor. When Janet arrives we get to meet the rest of the Templeton family that consists of a whole heap of likely suspects or would-be-psychopaths. Firstly there's Steve the boyfriend (mullet), who's a professional photographer by trade and makes strange disappearances every time someone gets killed. Mark (Allen Leiberman) is Janet's cousin who apparently ‘… wanders of all the time and disappears for hours on end.' His brother Perry (Aarin Teich) seems a little mysterious and likes to keep quiet. Paula's (Abigail Lenz) apparently gone missing, whilst her boyfriend George (Timothy Hicks) ‘was always a little on the wild side.' Grandpa (John O' Connor) takes an incriminating runner every time the Sheriff stops to talk to him, and their mother Nora (Stella Kastner) seems to be a little too tense for my liking! Cindy (Sara Lee Wade) is the cute and cheeky blonde younger sister that's hardly mass-murderer material but says, very saucily, that she would ‘… like to help Steve find his fishing pole!' Hmmm, sounds like trouble! After they all share dinner, Janet takes a shower (well someone would have to) stripping completely naked with only a thin window net to cover her modesty. With timing that train passengers would kill for, up pops the psycho photographer, brashly leaning a ladder against the porch so he can climb up and get some snaps of the soap splashed teen in all her glory. He then proceeds to get in the house and open her suitcase, before playing touchy-feely with her underwear (luckily he refrained from sniffing them!) The next day, relatives' start getting murdered by the mystery cameraman who seems to have his eyes (or lenses) on Janet, which means that she must be the true object of his insanity… Dark Room is one of the ever-increasing numbers of yawn-inducing whodunits that have very little - if anything – to redeem taking the time to watch them. The basic problem is that Terrence O'Hara has spent so much time trying to make an intriguing mystery that he's forgotten the fundamental elements that are necessary to make a good film - Structure and pace, and this doesn't have either. The puzzle may have rated this higher if the killer wasn't clearly shown on the front cover, which pretty much ruins any point in seeing this at all. Woeful amateur porn-star acting didn't help matters and the only character with any charisma was the charming little Cindy. Her cheeky flirtatious persona was rather appealing, she was at least a lot better than the bimbo left to battle the killer who lacked any allurement whatsoever.You've got more chance of seeing Jill Pierce win an Oscar than you have of finding any gore or suspense in this rubbish. Most murders are committed off screen and on occasion you'll see a shot of the corpses splashed in blood after the deed has been done. (Wow!) The movie could have ended quite satisfactorily at the sixty-minute mark but instead it drags on for another twenty-two, which was not only unnecessary, but it was also extremely unpleasant. At least the pathetic script managed to spawn the odd inadvertent giggle by its outright stupidity. The movie is rife with dialogue like `I don't trust air that I can't see' (what?), but even so, it's hardly worth paying for.The fact that this is an obscurity from the eighties will invite most completists to hunt it down for nothing but the fact that it's rare. But be warned it really doesn't warrant a purchase when the murders are so lackadaisical and the dramatics are simply horrid. It's not even really a teen-kill movie; it's more thriller than Halloween inspired hack and slasher. It's not only really bad, but it's also painfully boring, so I really recommend that you give it a miss. Try one of Mastorakis' better efforts instead.