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Huntress: Spirit of the Night

Huntress: Spirit of the Night (1995)

December. 10,1995
|
4
|
R
| Horror

Tara returns to her ancestral estate only to have her clothes explode off her body and a white light enter her chest. Afterwards she’s tormented by strange desires and dreams of running through the woods. Her cave-dwelling boyfriend is no help to her. Meanwhile, false friends plot to steal her inheritance and a determined hunter seeks to slay the new werewolf in town.

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Reviews

Redwarmin
1995/12/10

This movie is the proof that the world is becoming a sick and dumb place

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Numerootno
1995/12/11

A story that's too fascinating to pass by...

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Aiden Melton
1995/12/12

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

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Deanna
1995/12/13

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

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mligorio
1995/12/14

The story is essentially a mystery of both the occult and human nature. A serious minded young woman, Tara, returns to the exotic world of her early childhood and makes new acquaintances. Sexual encounters awaken her inner passions, and she soon exhibits a newly discovered physical prowess.Jenna Bodnar, as Tara, is fairly attractive. The few erotic scenes and moderate violence add needed excitement, but they are not done to excess. Suspense and intrigue are the main appeals of the film. The setting is dark and foreboding, and the main plot develops slowly.Tara inherits a wealthy estate from her distant estranged father. Inexplicably, just before his death he insisted that she stay away from the place. Tara's life is in danger and someone is trying to take advantage of her. Local folks repeatedly warn Tara, but they hesitate to tell her what they know. Even her new found mysterious lover, who seems to understand her true nature, offers little help. So, Tara is left practically all alone to ponder her mysterious circumstances. Naive, she is easily exploited, and she suffers a sinister fate.The movie's main disappointment is the fact that it ends with the story unfinished. Tara slowly transforms into something frightening, but we never get to see what she becomes. I don't know if there is any sequel, in which case I am not sure the movie is worth the effort.

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Joseph P. Ulibas
1995/12/15

Huntress: Spirit of the Night (1991) is a movie that's full of poppycock. What is this woman any way? Is she supposed to be a werewolf, a succubus, Cat-person or some sort of freak with black eyes? I dunno but she hot and takes of her clothes a lot.If this movie had a theme to it or if they showed more of her "transformations" then it could have been something. But why did the filmmakers cut this movie down to an R-rating? Were they actually trying to market this sleaze to Blockbuster or Hollywood Video? Maybe some questions are better left unanswered, I guess. Not a bad movie to own if you can find it for under $5 bucks and if you like red-heads, if you know what I mean (wink-wink).I have to give it a C+. It's not bad or horrible, it's just bland, They should have went all the way with this movie. I hope they re-release it with the missing footage some day....Some day...

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heckles
1995/12/16

This film borrows heavily from "Cat People"; although here the lower production values actually add something to a guilty post-midnight-viewing pleasure.

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Clint Walker
1995/12/17

A young woman returns to her childhood home in Europe (somewhere in England, I think) to inherit her deceased father's mansion. She discovers a strange family curse that that leads her to the usual "sexual awakening" stuff.First of all, Jenna Bodnar (who looks vaguely similar to Tawny Kitean) looks great in the film, with lovely curly red hair and high cheekbones. She gets some great sex scenes, most notably a half-a**ed threesome on a wooden bench, and a nice scene where she slithers and undulates in a dark cave for her prospective photographer boyfriend.Sex aside though, this almost works as an actual film. Bodnar is a good enough actress to make me care (slightly) about her situation. The sets are nice, and the supporting cast helps. Only drawback: an ending so abrupt and inconclusive, I thought the director ran out of film. Maybe director Mark Manos meant for it to be metaphysical or something.

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