The Beast with a Million Eyes (1955)

Bad Acting and worse Bad Screenplay

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Blistering performances.

The awfullest movie I have yet seen- Barely any plot, acting made to get you running for the Pepto Bismol and a deaf blind and dumb 3 year old would do a better job at the technical side of this "movie"-however it was so damned funny it had me rolling on the floor. If you want a film technically made for "real" but is so awfully unreal, this one is for you. Dick Sargent as a barely adult Sheriff is the sole actor that I recognized. It is a revelation that dreck so awful would make me laugh so hard. So I guess it depends on what you are looking for. If you are looking for a chuckle,this might just fit the bill. If you are looking for even minimal SciFi/Horror try Plan 9 from Outer Space.

The movie starts out with a pronouncement from some alien presence that he/it is going to take over the world, piece by piece, creature by creature. He manages to rein in a German shepherd and a cow, but the humans seem to be a lot more complicated. A family of three are living in a house in some desert area, growing something (not quite sure what). The guy's wife is fed up with their desperate condition and longs for her lost youth. Their daughter (no great prize as film stars go) wants to go to college but mom is filled with hatred for her unlimited potential. They also have a large man of limited mental capacity (and mute as well) helping them on the farm. He lies on his back in his room and looks at magazines. He also follows the girl to the swimming hole when she gets into her bathing suit. They have determined he is harmless and treat him much like the German shepherd. One day a high whiny sound is heard and the glassware and china is broken. Suddenly the animals become vociferous, attacking their owners. Apparently the problem is a Proctor-Silex percolator that is sending out signals. By influencing the animals and the slow guy, they will take over the house in the desert. Well, I suppose one needs to start small. This is every bit as bad as it sounds. The acting is horrible and there are really no special effects. Let this one drift off into space.

Historically-speaking, this is quite an important production as far as horror and sci-fi flicks are concerned. For starters, it is one of the very earliest films involving normal animals suddenly turning on humans and attacking them. In fact, there are a enough surprising similarities between this and Alfred Hitchcock's THE BIRDS (1963) to suggest this was a major inspiration to that classic film. Second, this is not only an early producing credit for the prolific Roger Corman, but also the very first genre film he stepped behind the camera to direct. Though it's credited to David Kramarsky, Corman had replaced him early on into the production, sans credit. Third, this was a key establishing film for the fledgling company American Releasing Corporation, run by a few fellas named Samuel Z. Arkoff and James H. Nicholson. ARC would become American International Pictures. Of course if you know anything about vintage horror, drive-in and exploitation films, you'll know just how important these names are.BEAST (originally titled "The Unseen") was also a production beset with problems. Originally part of a multi-picture package arranged between Corman and Arkoff / Nicholson, the film's budget was initially slated to be way higher but had to be slashed down to just 29,000 dollars. Problems with the filmmaker's union led to the production being shut down after just a day a filming. It also resulted in the original director and cinematographer both having to be sacked and Corman having to complete the film along with new D.O.P. Floyd Crosby. Supposedly the two managed to knock out all of the interior shots (48 pages of the script!) in just two days on studio sets! The exteriors were filmed in Indio, California and, all things considered, the photography actually looks quite good.Paul Birch - later to appear in Corman's DAY THE WORLD ENDED (1955) and NOT OF THIS EARTH (1957) - stars as Allan Kelley, a farmer who lives on a date ranch deep in the California desert along with his wife Carol (Lorna Thayer) and teenage daughter Sandy (Dona Cole). The family have seen better times, especially Carol, who's neurotic, miserable because of the constant isolation and bitter to the point where she starts resenting and hating her own daughter out of sheer jealousy. An alien spacecraft that makes a strange humming noises lands in a cave in the desert, all of the glassware in the home shatters and, soon after, all manner of animals start going crazy and attacking. Birds of all kinds begin swooping out of the sky, a cow tramples over a farmer, chickens flog Carol and the family dog turns vicious and must be chopped up with an axe!Also living on the farm is a character that would later become a staple of these kinds of films: the pervy, creepy, half wit handyman. The one in this one is a lonely mute referred to as only "Him." He's not only a voyeur who constantly stares at the females through the window, but he also spies on the daughter character stripping down to her swimsuit and going for a swim and then tries to touch her. "Him" sleeps in a shack next to the house where the walls are plastered with pictures of bikini or lingerie clad girls and he lies in bed looking at girlie magazines while his eyes bug out. I've seen this character countless other times in other exploitation movies, portrayed almost exactly the same as it is here, but NEVER before 1955. This adds a rather sleazy touch to the proceedings, which is especially odd considering this is essentially a family drama whose core message is about how it's important for families to stick together and support one another.Though interesting and boasting an intriguing and original premise, this really isn't a very good movie. It's slow, the dialogue is hokey, the acting is gratingly melodramatic and the animal attacks scenes are very poorly staged and edited and are mostly accomplished by filming the animals approaching the camera followed by a terrified reaction shot from the actor. People also rightfully snicker at the special effects, which include a tiny little spaceship that looks like something you'd serve coffee out of and an alien so bad they had to make the image all hazy and then superimpose a giant eyeball over top of it. Then again, the movie was originally filmed minus all that. Since Arkoff had pre- booked the film on the promise of a "beast" based on the title, he insisted a "beast" be in the film. Special effects man Paul Blaisdell was then given just 200 dollars to create both the ship and the alien creature on short notice. The fact he was able to come up with anything at all is actually quite impressive in itself.A young Dick Sargent (going by "Richard" here and years before finding fame as Darren in "Bewitched") plays a small supporting role as a deputy and Sandy's love interest. Production manager "Jack Haze" would become Jonathan Haze and later became immortalized for playing Seymour in Corman's LITTLE SHOP OF HORRORS (1960).

*Spoiler/plot- The Beast with A Million Eyes, 1955. In the desert ranch, strange occurrences with local animals and family pets happens after a strange spacecraft lands during the night. The local ranch family becomes tormented by an alien mind-creature and they fight it.*Special Stars- Paul Birch, Lorna Yhayer, Dona Cole, Dick 'TV's Bewitched' Sargent, Leonard Tarver.*Theme- Love of family is the best defense and true positive bond.*Trivia/location/goofs- B&W, Film was non-union made in Palm Springs for only $29,000. Roger Corman took over direction of this project after original director turned in a shabby film. When kitchen screen-door is opened, you see the interior sound stage wall, not the external outdoors of a desert date ranch.*Emotion- This film was unique in one way because it has no redeeming writing, direction, acting, plot, scenery, location, or alien monster to entertain the viewer. It is the worst B-movie film I have seen in many years of being drive-in or B-movie film aficionado. The film's ending is so trite, cliqued', and lack-luster as to make the viewer wish that they had not spent all their time watching this film at all. I rate this film a F- for not having any entertainment value at all. This movie was hugely disappointing and a waste of my time and good film.