Above Suspicion (1943)

i must have seen a different film!!

I don't have all the words right now but this film is a work of art.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Above Suspicion (1943)An odd movie even for its time, being clearly anti-Nazi and a bit of an American adventure on behalf of the British, but set in the months before the war began, earlier 1939. Yet it was made and was released in the thick of the war, four years later, well after even the Americans were involved. It must have seemed a bit lightweight at the time, and it certainly is a bit breezy now, too.Joan Crawford is at her best when life is going wrong, when the screws are applied or when she has to be a tough and independent women. Here she plays a cheerful and rather carefree newlywed. What Crawford character is truly carefree? Well, in this case her husband is perfectly cast, because Fred MacMurray knows what carefree is better than anything. When the Nazi threat becomes violent, things turn out rather okay, at least at first. The only other actor of note is the Nazi figure, played by the guy who plays Sherlock in all those B-Movie Sherlock Holmes films, Basil Rathbone, and you can't quite make him out as the evil menace he needs to be.Of course, our leading odd couple has been chosen for this mission by some knowing British officials who see the American innocence as a perfect cover for what is actually pretty dangerous stuff. And the movie, despite all these essential weaknesses, is really fun and a bit dramatic and very well made. Yes, it's a good movie, if far from a great one in either importance or effect.The director, Richard Thorpe, is one of the step-in-when-needed guys with a bunch of B-movies under his belt, and an assortment of mediocre oddballs (a Tarzan movie, the last Thin Man, a Presley movie--Jailhouse Rock--some Westerns, and so on). It might be a miracle this is as workable as it is. The script is fair, but the mood and the setting is terrific. And really, as mismatched as they seem, Crawford and MacMurray are not half bad together. They certainly are trying very hard.

The cast is attractive, the premise is intriguing....but the film is blah. It looked like a poor man's "The Thin Man," or tried to be, but all it wound up was "poor." The humor was average at best, and it took way, way too long to get to any action and suspense. By halfway through, I can imagine most of the audience in the theater half asleep.Being a fan of classic films, especially during the 1990s when I couldn't watch enough of these old movies, I was pumped up to see a film starring Joan Crawford, Fred MacMurray, Conrad Veidt, Basil Rathbone and Reginald Owen. That's some cast. But this story is just plain ludicrous. Do they honestly believe the British Foreign Office and newlywed and her husband - with no experience - to go inside Nazi Germany and be an effective spy?Well, maybe that's where the humor came in, but it's "Thin Man" quality and Crawford and MacMurray, although fine actors, are no Myrna Loy and William Powell in playing these kind of roles. The "Thin Man" movies had far more sophistication than this film. No, this just doesn't cut it in any aspect: humor, suspense or credibility.

In 1943 Joan Crawford was dismissed from MGM (or she walked away after buying her contract out, whichever version applies) and after several years of being offered lesser and lesser starring vehicles with the exception of THE WOMEN and the minor hit A WOMAN'S FACE, and after being on the box-office poison list (in which she was not alone but in good company) she was given this last movie.ABOVE SUSPICION is one of the handful of films that came out during World War II which served as a backdrop to denounce anything remotely Nazi. This, of course, is really mindless fluff -- much like today's ridiculous blockbusters trying to capitalize on the crisis situation of the moment (be it war or terrorism) and of course, bringing into the mix some high-power action names and some flashy but silly storytelling -- and in no moment can anyone believe that Crawford and MacMurray are British spies working undercover, no more than anything which takes place here. Worthy of notice was that Crawford began around this time to lower her voice and polish her diction which would become her trademark in later performances, but other than that -- an end to a contract and the beginning of what would be her (more rewarding, albeit brief) years at Warner Bros.

Joan Crawford's last film for MGM doesn't exactly showcase her talents, and she soon after moved to Warner Bros. and her Oscar triumph in Mildred Pierce. She was just a well-dressed clothes horse for Metro by the 40s.This particular piece of hokum though teams her with the tiresome Fred MacMurray, Basil Rathbone, and, in his last film, Conrad Veidt. Veidt is as good as ever and his presence certainly lifts the film.It is a tale of intrigue and the fight against Nazism, but is hardly involving. I've seen much better movies on similar lines made before and after this one, and it isn't one I'd be that bothered about seeing again.