Small Sacrifices (1989)

Wonderful character development!

It's no definitive masterpiece but it's damn close.

Great Film overall

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

"Small Sacrifices" is based on the story of Elizabeth Diane Downs aka Diane Downs who shot her 2 daughters and 1 son in 1983 on a lonely country road while she was driving the kids home from a friend's house late at night. Diane said time and again a strange man with shaggy hair came out of the shadows and demanded her car. When she refused, he shot her sleeping children. In the book by Ann Rule, the kids are named Christie, Cheryl and Danny. In this treatment, they go under the aliases of Karen, Shauna and Robbie. In a way this confuses me because the real names of the kids are in the well-known book and in the TV movie of the same title they go under other names and everyone can find the real names by reading the book! Mild criticism aside, this movie shows another great performance by the late, wonderful Farrah Fawcett! She is so good as the narcissistic, sociopathic Diane Downs who wanted her new boyfried, Lew Lewiston (Ryan O'Neal) to be a father to the kids even though he went the permanent route of ensuring he would never have children by getting a vasectomy. After his rejection, Diane basically loses it and writes him letters proclaiming her love for the married Lew. This was the catalyst for the shooting of the three children by their mom. All the performers are great in this movie! John Shea goes toe-to-toe with Farrah as Frank Joziak the prosecutor and he really cares about her children. A very young Emily Perkins is also wonderful as the traumatized Karen who saw her mother shot her brother and sister and her. She is the one who testifies against her mother because Shauna was shot to death and while Robbie was paralyzed by the bullet, he was too young to testify in court. Next to "The Burning Bed" Farrah has another winner in the TV movie arena!

Enjoyed viewing Gordon Clapp,(Detective Doug Welch),"Splendor Falls",'99,)(NYPDBLUE), who starred in this picture and really gave Farrah Fawcett,(Diane Downs),"The Cookout",'04, a very hard time because of things that happened to her very own children. This story is about a Diane Downs who is desperately seeking to find true love in her life and winds up going from one husband to another and plenty of one night stands. Diane claims that her very own father molested her many times and gave her very little attention except for sexual advances. This story goes into great detail about all her affairs and there is a very long trial which Diane has to encounter. Farrah Fawcett gave an outstanding performance and I wish she would perform in many more pictures.

I had read the book, and have to say the movie, for the most part, is very similar and is just done very well. Everything from the acting, to the directing etc etc, is superb. This movie is, sadly, a true story. It stands at 4 hours or so but it always keeps your interest. Farrah Fawcett loses herself in her character, and I have to say, I don't see how this movie can be watched, without the watcher coming away with a very healthy respect for Ms. Fawcett.This true life story is so disturbing, the thought has to flash through your mind whether you can sit through a 4 hour drama about it, and although of coarse some scenes are extremely difficult to watch, as you'd expect them to be, this movie is not something you can turn away from once it's on and is both shocking and horrifying.It is directed and acted on a level as good as major big screen releases and the character development is great as well. There isn't one bad piece of acting in the movie and this Is the best I've ever seen Fawcett.

I was drawn to watching this TV film as seeing the main actors were Farrah Fawcett and Ryan O'Neal, I was misguided into thinking it would be a good evening's viewing.I say that, not because either of these actors played their parts badly; indeed, O'Neal only has a rather small part. Having such good actors, and John Shea was rather good, it would have been befitting if the film had moulded itself to a different architecture: the so predictable style for television films made all acting concepts be limited to the same formula. Thus, frequently, Ms. Fawcett tended to overact rather than interpret the complicated characteriology of Diane Downs. The unfolding of the story, the telling of it, and the directing was so glued to preset standardised TV formulas, that there was very little any of the actors or anybody else could have done to add more depth and realism to the job. The end result, therefore, is as disappointing as the predictability: unadventurous and trite and no surprises anywhere to help it along.