The Dark Hour (2006)

Absolutely the worst movie.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The best films of this genre always show a path and provide a takeaway for being a better person.

It's a risk featuring a child actor in a dominant role in a film; the child's acting maybe be adequate but not convince, or worse, he can produce a precocious, obnoxious performance which can lose the character sympathy. Luckily, Omar Muñoz is both convincing and appealing, which is refreshing, especially as his character Jesus is written as a mischievous scamp.The Dark Hour is a Spanish film which explores an unknown dystopian society.Jesus could be seen as the eyes of the viewer. He lives with a group of what appear to be survivors of a holocaust which may or may not have wiped out the rest of mankind. Their world is a sealed bunker of sorts. It seems to be infiltrated by ghost-like mutants, necessitating regular curfew. The relationships between the others is nicely outlined by Jesus, who seems intent to record a video-diary – however, this is not a found footage film, for reasons that become clear at the story's end.The bleak setting is beautifully conveyed, however the lack of apparent answers until the very end leads to the story dragging a little occasionally. The carefully built-up atmosphere is stiflingly grim, and there is a genuine sense of hope when the remaining characters manage to escape the bunker … or do they? I won't give away the final twist, which is tremendous and haunting. There are elements of zombie films here, although I would cautiously suggest this is better than most. It branches out into sci-fi territory, but is assuredly a claustrophobic horror film.

This lackluster Spanish sci-fi film tells the post-apocalyptic tale of a small group of people trying to survive in an underground complex. There's no doubt that there is a quirky Euro feel at work here but it isn't enough to save a very weak script and poor direction. Elio Quiroga probably did not have much budget to work with but his use of the environment is unbearably bland compared to filmmakers that preceded him. And there is no doubt that had this movie been produced and shot in the US with American actors, the rating would be much lower.Some reviews have praised the actors on display when they are in fact terrible. Not that they are entirely to blame because the script itself is ladden with clichés and has a raw, immature feel to it. All the characters are essentially cardboard stereotypes defined by their function or simply (and dumbly) by their demographic. "Here's the scientist, the soldier, the kid, the old loner and oh, the homosexual". Talk about poor writing there. The film starts abruptly and then unfolds slowly and as an audience, you expect you will gradually understand the stakes here, what these survivors are hiding from. There are various threats to their survival but none make any sense and eventually, you figure out that what you thought would be explained is really just poor writing. Where the film shines however is with its quirky style of aesthetics. There's definitely a strong Euro flavor to the way this movie was shot, and there's also a lovely vibe of the old cold war sci-fi going. In this sense, director Quiroga is like a poor man's Terry Gilliam.While La Hora Fria touches upon several genres (drama, sci-fi, horror, action) it unfortunately fails to excel at even one of those and ends up being a major disappointment. The big "reveal" at the end just can't save this movie. Very disappointed at the rating. I guess IMDb viewers are traditionally more lenient when rating b-movies that are foreign.

Settling into the story, be prepared for a character-driven study, even hinted at within the movie itself. The acting is superb, the story intriguing, and the conclusion leaves you answering AND asking questions. The director brought it all together and made everything work. There are some drawbacks in terms of character/story logic - why wait so long to confront the Strangers? Would you believe Pedro's version of events? - but they do not take away from the experience of "living" through young Jesus and his video camera. It's one of those films for which I am BEGGING to be released on DVD in the US with a director's commentary. There HAS to be some importance to the character names - Jesus, Judas, Maria, Magda, Peter, Paul, Matt, Luke - even Paul stops by. Someone can take it and write a dissertation...if you do, please post a link. I've got more movies to watch and review...

The eight years boy Jesús (Omar Muñoz) has been living in a crumbling underground facility since he was born with eight survivors of an apocalyptical war: the leader Maria (Silke) and her lover Pablo (Julio Perillán); the gays Lucas (Pablo Scola) and Mateo (Sergio Villanueva); the astronomer Magdalena (Carola Manzanares) and the teenager Ana (Nadia de Santiago); the soldier Pedro (Jorge Casalduero) and the lonely Judas (Pepo Oliva). They are permanently is state of surveillance, threatened by the contaminated mutants The Strangers and once a day they have to lock themselves in their rooms without heating to protect against the dangerous ghosts The Invisibles that attack in the Cold Hour. They cannot go to the surface, destroyed by a nuclear war. When they need supplies, medications and ammunitions, they organize expeditions to a store. When the menace of The Invisibles affects the safety of the group of survivors, they need to reach the surface."La Hora Fría" is a great low-budget movie showing a pessimist view of the fate of mankind after a nuclear war. The atmosphere is melancholic and claustrophobic and the story discloses the characters through the innocent eyes of an eight years old boy. I expected to find an explanation to their biblical names, but the film never clarifies. The story recalls "The Omega Man", "Day of the Dead" and "28 Days Later...", but is original and supported by a great cast that transmits fear, panic and lack of hope to the viewer, and by an excellent cinematography, using gloomy colors. I was a little disappointed with the ambiguous conclusion, and I understand that Pedro was right and the group was part of an experiment, but I am not sure if this was the intention of the writer. I believe the director Elio Quiroga failed since he was not able to express his real intention in the last scene. Probably due to commercial reasons, the Brazilian title does not correspond to the original Spanish title, as usual. My vote is seven.Title (Brazil): "A Hora Negra" ("The Dark Hour")