Kenneth Williams: Fantabulosa! (2006)
Kenneth Williams was the star of the Carry Ons and Round the Horne. Despite his fame, he led a life full of mental torture as he tried to overcome his homosexuality in 1950s Britain. This film follows his life and eventual death based on the many diaries he kept
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Wow! Such a good movie.
I have absolutely never seen anything like this movie before. You have to see this movie.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning Kenneth Williams was arguably the most iconic star of the Carry On films, with his distinctive campy mannerisms, voice and facial expressions, along with a stuffy, uptight on screen persona that seemed to accompany it. But while he basically played himself on screen to great effect, behind the scenes he lived a solitary, troubled existence, as his diaries, which this TV film is based on, bared fruit to, leading up to his (fairly) early death at the age of 62.I've only just been getting into the Carry On films in the last year or so, but it didn't take me long to figure out which one my favourite star was, or who, it seemed, would have lived the most dramatic life behind the scenes and made the most interesting subject matter for a TV film. Fantabulosa (which, it seems, was a bizarre phrase Williams blurted out a premiere he attended!) plays less like a dramatisation of Williams's life and more of a dark, personal take on his diaries in which he seemed to have written his final thoughts. The colour is appropriately drained out through-out to match the darkness of the content. Possibly before his star ascended to the heights that it would do, Michael Sheen took on the lead role here and, if the film possibly didn't hit the mark quite like it could, the same certainly can't be said of his performance, which seems to be an inspired piece of method acting indeed. He does literally become Williams, getting his voice spot on and his mannerisms just north of perfect. The character he brings to life is a fussy, fastidious man, stuffy and uptight who could well come off as unlikeable to those around him if he hadn't been...well, him. Although he doesn't come off as the most bearable of people, his manic comic persona is enough to pass him off to others. The film also charts his struggles with his sexuality, which he seems to regard as a dirty, disgusting thing in general, confining himself to a solitary, lonely existence with only his mother and a neighbour for company. He is portrayed as a Howard Hughes type character, afraid of germs and spraying things like bedsheets down, as well as not sharing his toilet with anyone to maintain 'hygiene.' Somehow, the film doesn't feel all the sum of it's parts, but for an exposure of Williams's darkest inner thoughts and a great performance bringing him to life, it's well worth watching. ***
To me, Kenneth Williams was a comic genius. I grew up on the Carry on franchise, and the performances of Williams always were one of the main reasons why I am so fond of them. That's not all, he was a fine comedian with a voice and mannerisms that were so distinctive. I was looking forward to watching Fantabulosa! since hearing so many good things about it, and while I was expecting it to be at least watchable, I honestly wasn't expecting something this affectionate and genuinely moving.A big reason why Fantabulosa! worked was the performance of Michael Sheen. Sheen is a brilliant actor, who always gives his all into everything he plays, and while I had no doubt he would be great as Williams, a tour-de-force of a performance I was not expecting. For that's what Sheen's performance is, one of sheer brilliance. He perfectly nails Williams' mannerisms without falling into the trap of falling into caricature, and the tragic elements to his performance are brought out to genuinely affecting effect.Sheen has a solid support cast too. We have Cheryl Campbell, who is excellent as the mother. There is Kenny Doughty, who does a fine job as Joe Orton. And there is also Peter Wight who is solid as always. The rest of the Carry On team give fun performances as well even if they aren't the main focus, Beatie Edney and David Charles especially are good as Joan Sims and Charles Hawtrey and Ged McKenna is good enough as Sidney James, but at the end of the day it is Sheen who rides heads and shoulders above the rest. The drama is lovingly directed too, with both the comic and tragic elements well-fleshed out without being needlessly flashy.Fantabulosa! is beautifully shot, and the period detail is beautifully evoked. The background scoring is always sensitive and never over-bearing, also it fits perfectly with the mood of each scene. The script deserves a lot of credit; not only does it not allow the characters to fall into caricature or send themselves up and giving them depth and humanity in the process but the comic elements are hilarious and the tragic ones are poignant and sometimes painful. The story is episodic perhaps in its structure, but for me it doesn't matter when Fantabulosa! has as much involvement and heart as it does, and that the story based on Williams' diaries is that engrossing.All in all, wonderful and worth seeing for Sheen's magnificent performance alone. 10/10 Bethany Cox
I had seen tiny bits of this programme a couple of times, and I recognised the actor who played Tony Blair in The Queen, so I thought I might as well give it a go. It is all about the life of Carry On actor Kenneth Williams (Michael Sheen), based on his diaries. It is interesting to see what interpretations have been made of him from just his diaries, but Sheen does quite an okay job of playing the "Ooh, Matron" gay attitude that many people recognise, but it is also interesting to see what he might have been like in his private life. Also starring Cheryl Campbell as Lou Williams, Peter Wight as Charlie Williams, Beatie Edney as Joan Sims, Kenny Doughty as Joe Orton, Ron Cook as Peter Eade, Martin Trenaman as Tony Hancock, David Charles as Charles Hawtrey, Ewan Bailey as Kenneth Halliwell, Rachel Clarke as Barbara Windsor, Ged McKenna as Sidney James and Nicholas Parsons. I personally preferred the performance of Williams by Charie and the Chocolate Factory's Adam Godley in Cor, Blimey!, but Sheen does alright, and I suppose it is worth a look. Worth watching, at least once!
A wonderful little production. The filming technique is very unassuming- very old-time-BBC fashion and gives a comforting, and sometimes discomforting, sense of realism to the entire piece. The actors are extremely well chosen- Michael Sheen not only "has got all the polari" but he has all the voices down pat too! You can truly see the seamless editing guided by the references to Williams' diary entries, not only is it well worth the watching but it is a terrificly written and performed piece. A masterful production about one of the great master's of comedy and his life. The realism really comes home with the little things: the fantasy of the guard which, rather than use the traditional 'dream' techniques remains solid then disappears. It plays on our knowledge and our senses, particularly with the scenes concerning Orton and Halliwell and the sets (particularly of their flat with Halliwell's murals decorating every surface) are terribly well done.



