Kenneth Williams: Fantabulosa! (2006)

I like the storyline of this show,it attract me so much

Undescribable Perfection

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Michael Sheen valiantly gives life to a British icon of the 20th Century. Kenneth Williams was the personification of a walking breathing work of art. Outrageous, painful, shattering at times. I wondered how Williams himself would have reacted to this artistic invasion of privacy. I could have done without the, seemingly endless, masturbation scene. The relationship with his mother is closer to Norman Bates and his than anything I've ever seen outside of a horror movie. At times I had a feeling that Kenneth Williams was an alien thrown in our mist who adopted a persona that had nothing to do with his parents. Thoroughly out of step. It left me with an irrepressible sadness but I'm glad I've seen it.

Let me start off saying that I'm not a big fan of gay-themed movies. Let's just say: it's not my parking lot or, as they might say in Britain, it isn't my cup of tea. But I wouldn't let this film pass me by, mainly due to the leading actor and considering that I grew up with the original "Carry On"-films.During the 1980's, the "Carry On"-series (under the moniker "Ist ja irre", roughly translated as "It's insane") was rather popular in Germany. Especially the Cleopatra-, Spying- and Camping-episodes were re-broadcast on TV numerous times. Of course, due to the often incompatible sense of humour, the German synchronization was changed quite a bit, often adding additional lines of dialog and jokes, possibly making the films even goofier. And of course, Kenneth Williams was the comedian that carried almost every film.Don't expect "Fantabulso!" to be the story of the "Carry On"-films. Though obviously taking an inevitable part in the storyline, the film focuses almost exclusively on Williams and the tragic persona he must have been in real life. A man both driven by ambitious and a sense of narcissism (and that's putting it conservatively), yet too weak to fight off his inner demons, feels of inferiority, doubts or even coming to healthy terms with his sexuality. More so, there is very little – we might even say "none at all" – glamour, as one might expect from a person who was as popular in his heyday. Instead, seeing him ride his bike, living a completely mundane, middle-class lifestyle, we'd never guess that Williams was once a comedian celebrated beyond his locality. Which may have to do with British mentality and lifestyle; here even superstars tend to live rather regular lives off stage, unlike other countries, say the USA, where anybody who has even made an appearance in a reality show will not only pretend to be a diva, but be hyped as one as well.Not surprisingly, most viewers, apart from the hardcore-fans, knew little to nothing about the cast and it really wasn't until "Fantabulosa" that I personally learned more about this tragic figure of British TV. There had been a similar tragic actor and comedian here in Bavaria, namely Walter Sedlmeyer (whose life-story was turned into the slightly similar film "Wambo", but unfortunately didn't have the benefit of a convincing lead-actor). Hugely successful and respected during his lifetime, considered a national icon and archetype in southern Germany, this changed in the late 1980's, when Sedlmeyer was found murdered and his secret life as a homosexual and tastes for s/m came to light.We could conclude that "Fantabulosa!" has more than a few moments of length and, especially to those who are not familiar with many of the characters and occurrences, might even seem a tad boring. The reason that this never really is the case, is without doubt Michael Sheen, an incredible veritable actor, who has managed to enrich almost all films he starred in, be it in major roles or as support. It is telling when the actor looks nothing like the subject he portrays, but has the viewer convinced within an instant, that he IS Kenneth Williams. The body-language, the tone of voice, the quirks – Sheen is Williams in everything but physical appearance. To mind comes another biopic, namely Oliver Stone's "The Doors", which had people originally complaining that Val Kilmer looks nothing like Jim Morrison, but who got convinced otherwise at the moment that Kilmer (literally) entered the stage. Sheen's performance alone should be worth the price of admission, whether you're interested in Kenneth Williams or simply want to watch an outstanding performance.7/10

To me, Kenneth Williams was a comic genius. I grew up on the Carry on franchise, and the performances of Williams always were one of the main reasons why I am so fond of them. That's not all, he was a fine comedian with a voice and mannerisms that were so distinctive. I was looking forward to watching Fantabulosa! since hearing so many good things about it, and while I was expecting it to be at least watchable, I honestly wasn't expecting something this affectionate and genuinely moving.A big reason why Fantabulosa! worked was the performance of Michael Sheen. Sheen is a brilliant actor, who always gives his all into everything he plays, and while I had no doubt he would be great as Williams, a tour-de-force of a performance I was not expecting. For that's what Sheen's performance is, one of sheer brilliance. He perfectly nails Williams' mannerisms without falling into the trap of falling into caricature, and the tragic elements to his performance are brought out to genuinely affecting effect.Sheen has a solid support cast too. We have Cheryl Campbell, who is excellent as the mother. There is Kenny Doughty, who does a fine job as Joe Orton. And there is also Peter Wight who is solid as always. The rest of the Carry On team give fun performances as well even if they aren't the main focus, Beatie Edney and David Charles especially are good as Joan Sims and Charles Hawtrey and Ged McKenna is good enough as Sidney James, but at the end of the day it is Sheen who rides heads and shoulders above the rest. The drama is lovingly directed too, with both the comic and tragic elements well-fleshed out without being needlessly flashy.Fantabulosa! is beautifully shot, and the period detail is beautifully evoked. The background scoring is always sensitive and never over-bearing, also it fits perfectly with the mood of each scene. The script deserves a lot of credit; not only does it not allow the characters to fall into caricature or send themselves up and giving them depth and humanity in the process but the comic elements are hilarious and the tragic ones are poignant and sometimes painful. The story is episodic perhaps in its structure, but for me it doesn't matter when Fantabulosa! has as much involvement and heart as it does, and that the story based on Williams' diaries is that engrossing.All in all, wonderful and worth seeing for Sheen's magnificent performance alone. 10/10 Bethany Cox

From his early appearance on stage dressed as a girl as a child, Williams was always one for the limelight and always a rather, well, mincing character. It was a trait he put to good use across his career in comedies ranging from Round the Horne on the radio to the Carry On films on the big screen. At one time he was popular across the UK and perhaps the world, with his harshest critic being none other than himself. Being dropped from Hancock's Half Hour for just doing funny voices, he worries that he will fade without ever blooming, but then along came Carry On Sergeant.To people of my generation, Williams is famous for his voice mannerisms and work on Willo-the-Wisp and his similar characters in the Carry On series of films. I watched this film to get a bit more background to the man and, although it doesn't do much to really get to grips with the man, it is certainly very interesting in painting a convincing picture of the man. Williams is presented as a rather peculiar man who is confused by his own sexuality, has a very close relationship with his mother, is viewed as a ponce by his father and was quite adored by his fans. The film ignores the detail of the Carry On films and barely shows his famous colleagues but instead focuses on Williams himself, spending a lot of time with him alone in his room, full of self-loathing, self-abuse and self-doubt. Although it is possible after the film to sum this character up into pigeonholes (as opposed to being an unique, real person) it is still interesting to get more information on what his life offscreen was like. It isn't a wonderful character study but it does enough.Michael Sheen is a big part of the film working because he not only gets the impersonation spot on, he only has the ability to go beyond that and get close to producing a real person. The narration helps him but in his scenes he still produces a real person (or at least as close as the material was going to get). He is the main show here but he is well supported by Campbell as his mother and various impersonations from Edney, Trenaman, Charles, Clarke and a few others.Overall an interesting and engaging film even if it doesn't totally get into the heart of character. Sheen's performance could easily have just been an impression but he does well to try and bring out more of the person behind the public personae. Not totally successful but interesting nonetheless.