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Hotel Room

Hotel Room (1993)

April. 01,1993
|
6.4
| Drama Comedy Mystery

The lives of several people spanning from 1936 to 1993 are chronicled during their overnight stay at a New York City hotel room. The hotel room undergoes minor changes through the century, but the employees of the hotel remain unchanged, never ageing.

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Clevercell
1993/04/01

Very disappointing...

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Evengyny
1993/04/02

Thanks for the memories!

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Actuakers
1993/04/03

One of my all time favorites.

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Philippa
1993/04/04

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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morrison-dylan-fan
1993/04/05

Looking for films/shows that friends could view over the Easter holiday,I spoke to a DVD seller about what titles he had recently picked up. Only knowing Twin Peaks as the TV work he had done,I was surprised to find out about a one-off mini-series that David Lynch had made after wrapping up TP (at the time) with Fire Walk With Me,which led to me booking a room.View on the mini-series:Made as three eps but trimmed into one 90 min film, (thankfully,the longer uncut eps survive)the writers Barry Gifford & Jay McInerney check in close to themes of David Lynch, (who co-created the show with Monty Montgomery) with the program entering a lone hotel room in 1969,1992 and 1936 that are home to white picket-fence visitors attempting to escape from the destructive outside world. Later adapted into plays, the limitations of the location allows for an excellent theatrical exploration of the characters,from the scotch on the rocks Noir ep 1 Tricks and the darkly comedic ep 2 Getting Rid of Robert, to the surprisingly touching final ep Blackout.Directing the lone ep not done by Lynch, James Signorelli aims for the peculiar mood of the other pieces in Getting Rid of Robert,but misses the mark by being too self-aware at the strangeness of the situation, and the repeated cuts away from the hotel room breaking the tension. Reuniting with a smooth score from Angelo Badalamenti,Lynch gives his first ep a boiler room atmosphere, as Moe (played by a dripping with sweat Harry Dean Stanton) finds himself trapped in the past with two fellow guests who will land Moe with some deadly Tricks. Lit with stray shots of thunder on the window and candle light,Lynch reins in Crispin Glover's usual quirks to get an outstanding performance from him as Danny in ep 3 Blackout, with Alicia Witt joining Glover with a beautifully unsettling,calm performance as Diane,in David Lynch's minimalist, experimental hotel room.

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david_mitchell4
1993/04/06

I just have a question. I do not know if this is the movie that I saw one time on TV, and I loved it but I am not sure if this is it, and the synopsis doesn't clear it up for me. I know that it shows the lives of the people in the hotel room through decades, but is there a story line with a soldier who comes home from war and you are led to believe that his wife is having an affair with his best friend? If you could just post a message and let me know that would be great And if this is not the movie, if anyone knows what the movie is that I am talking about it would be greatly appreciated if you could let me know.

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nostromoid
1993/04/07

A very good trilogy of short stories that take place in a hotel room, during 40's and 90's. The second story is not directed by D.Lynch and you as a lynch fan will notice it right away. The first one is very good but the last story takes the price. Very classic Lynch directing. We see the characters many times from a mirror reflection, gives us the "watching" mood as in Blue Velvet and Twin Peaks. The story is dark and very moody. Angelo Badalamentis work haunts in the background. Just beautiful. Recommended. 9 out of 10!!

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greatchickendoc
1993/04/08

The first episode of the trilogy is classic David Lynch fare with a stand-out Harry Dean Stanton performance, the second is a god-awful mess of a piece directed by the acclaimed director of the Elvira movie. Fast-forward this mistake (commissioned by HBO so that they would have a "feature-length anthology") The final part is one of the finest pieces of acting and directing that I've ever seen. I'm a Lynch fan, but nothing could prepare me for a story where Crispin Glover is the sane, voice of reason. Alicia Witt is a marvelous actress who shines in this terrifying role. Kudos to Crispin's restraint. A great hour

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