Run of the Arrow (1957)

Captivating movie !

It's fun, it's light, [but] it has a hard time when its tries to get heavy.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Samuel Fuller's near masterpiece.The film starts on Palm Sunday 1865 at Appomattox.Confederate Private O'Meara shoots down a mounted Union officer.While rifling through his pockets O'Meara realises he is still alive.In an act of mercy he takes him to a Confederate dressing station.Close by General Lee is surrendering to General Grant.O'Meara is about to shoot Grant when the surgeon tells him he had better shoot Lee as well because the shame would kill him.He then hands O'Meara the bullet he has extracted from the wounded officer telling him it is the last bullet fired in this war (historically incorrect).Back home his friend has the bullet remade and presents it to O'Meara. O'Meara is an unreconstructed Rebel and his Mother suggests a rope is the only answer for him. O'Meara played by Rod Steiger sports an accent that can only be described as Hollywood Irish,strangely his mother played by Olive Carey has no trace of an Irish accent at all.He decides to head west where there is no Yankee jurisdiction incidentally riding the horse he has "liberated" from the Union officer.He meets up with an elderly renegade Indian,Walking Coyote,played by J.C.Flippen in a scene stealing cameo,who tells O'Meara that he could have been a chief but he couldn't stand the politics.In five minutes screen time O'Meara learns the Sioux language,tribal history and customs. Unfortunately they are captured by the Sioux led by Crazy Wolf.O'Meara is about to discover another old Sioux custom,that of being skinned alive,when Walking Coyote invokes The Run of the Arrow where you are given an arrows flight start made to run barefoot and then hunted to the death.The Indians agree.Walking Coyote drops dead from a heart attack on the run but O'Meara is made of sterner stuff.He's a hefty fellow but he has a turn of speed that an Olympic champion might envy.This is not far fetched as Confederate infantry men were known for their speed of march,usually barefoot,not for nothing were they known as foot cavalry.He loses his chasers and is rescued by a beautiful Indian maiden called Yellow Moccasin and her young companion Silent Tongue,a dumb Indian boy. Yellow Moccasin takes O'Meara to the Indian village where he informs the chief,Blue Buffalo played by Charles Bronson,that he has survived the run of the arrow which Crazy Wolf begrudgingly confirms.O'Meara is told he will never be harmed by the Sioux.He then collapses with a fever.Yellow Maccasin volunteers to care for him and in a steamy scene (in more ways than one) uses body heat to sweat the fever out of him and also during the process he loses some of his inner demons. A fully fit O'Meara marries Yellow Moccasin adopts Silent Tongue as his son and is accepted into the Sioux nation while remaining a Christian.Blue Buffalo remarks tolerantly "Same God, different name". The U.S.Government want to build a fort on Sioux land so a big meeting is called between Sioux chiefs and U.S.Army officials.The General in charge played by Tim McCoy (in his last film role) humorously remarks to O'Meara that he has never shaken hands with an Irish Sioux before,O'Meara replies he's never shaken hands with a Yankee General either.Terms are agreed on the proviso that the Sioux have a representive to ensure the treaty is kept.Thats O'Meara's job. The officer in command Captain Clark played sympathetically by Brian Keith tells O'Meara that Appomattox was not the death of the South but the birth of the United States and when one of his troopers saves Silent Tongues life at the cost of his own by pulling him out of a swamp he remarks "We Yankees are human".Sadly this is not the case with the second in command played by Ralph Meeker who by coincidence is the same officer that O'Meara shot at the beginning of the film.Is he grateful? is he hell.He's more miffed about his horse.Captain Clark is then killed by renegade Sioux led by Crazy Wolf.Lt.Driscoll now in command and a bit of a glory hunter decides to build the fort in a forbidden area ignoring O'Meara's warning.O'Meara is beaten unconscious.When he comes to the Sioux are attacking,a brilliantly staged bloody scene. Driscoll has been kept alive and is suffering unmentionable tortures being skinned alive.O'Meara,in an act of common decency and using the same bullet shoots him again this time killing him instantly and saying "They had a right to kill him but not like that" He realises he can never truly be a Sioux and that he owes his allegiance to the United States. He,his wife ,his adopted son and the surviving troops are allowed to leave unmolested. The voice over repeats the earlier statement "Appomattox was not the death of the South but the birth of the United States" then a caption comes up which says "The end of this story can only be written by you". O'Meara,funny Irish accent and all is magnificent,he may be a blowhard about Yankee injustice but in reality he is an honourable,decent and humane man.Likewise Blue Buffalo comes across as a religiously tolerant man and you can sense his approval over O'Meara's act of decency. Mixed marriages with happy endings were a rare occurrence in films of the time,eg James Stuart's Indian wife gets killed in the film "Broken Arrow".Indian wives were more likely to be raped and killed by white bigots (off screen) their husbands then seeking bloody revenge.Richard Widmark's film The Last Wagon was a classic example. One hopefully happy ending was in the 1968 film The Undefeated where Rock Hudson's Confederate Colonel's daughter has a relationship with John Wayne's Union Colonel's adopted son a full blooded Indian,with full parental approval.

Interesting, unusual Western to emerge during the genre's heyday given writer/director Fuller's typically uncompromising viewpoint. Starting off on the last day of the American Civil War, it deals with Southerner-of-Irish-descent Rod Steiger's inability to cope with defeat which sends him the way of the Sioux (the renowned Method actor, making a surprising third genre appearance in as many years, brings his customary intensity to the traditional Western canvas). After meeting up with renegade Indian Jay C. Flippen(!) and surviving the titular challenge, he's accepted by the Redskins and even lands himself a squaw (Sarita Montiel aka Mrs. Anthony Mann) and a mute foster-son; the latter is then involved in a startling sequence as, about to drown in quicksand, he's saved by a passing American horse soldier…except that he's rewarded for his good deed by falling headfirst into the slime himself! Steiger's past also comes back to haunt him at this point, with the arrival of the Cavalry (led by sympathetic Brian Keith and nasty Ralph Meeker – the latter was the last man to be shot during the war, by Steiger himself!) who want to build a fort in Sioux territory. Though the Indians (with Charles Bronson as Chief) desire peace, one of their number is a rebel and wages a one-man war against the whites…but Steiger has him do the 'Run Of The Arrow', which is then callously interrupted by Meeker. With Keith murdered by a Sioux arrow, the younger officer takes over command and, obstinately but unwisely, takes the unit further into Indian territory in search of a more strategic point for constructing. As Steiger's entreaty for surrender is rejected, the Cavalry are massacred (quite a violent scene for the time) – but Meeker is kept alive, since awaiting him is the fate allotted to those who willfully obstruct the 'run'. It's here, though, that Steiger draws the line for, whatever his feelings for Meeker personally, he can't bear to see his fellow man tortured: ironically, he uses the bullet he had shot him with originally, kept all along as a token, to end his ordeal. Looking on, Bronson – and, even more so, Montiel (voiced here by Angie Dickinson!) – realize that his place is with the white man after all; a wonderful scene has her throw the U.S. flag at Steiger and bringing him to admit that his home state of Virginia is equally represented on it. The concluding scene, then, has the surviving unit starting off to rejoin its ranks with Steiger (accompanied by his 'family') at the head.

Rod Steiger's accent is so bad I didn't realise until some way into this picture that he was supposed to be Irish.German?Polish...Lithuanian?He certainly had me guessing I can tell you.Fortunately when he got to make "Henderson" 18 years later he got the Belfast accent down a lot better. Being a Reb does have a certain romance to it I suppose,fields full of waving cotton, ante - bellum houses just like "Tara",blinding white in the Southern sun,slaves singing in their quarters........sorry, my pity for the beaten Confederacy is strictly limited.And,of course,being an Irishman,he would be a natural reb anyway,so he would.Mr Steiger,when I finally sorted his accent out,is portraying a glorious double - cliché figure,a man without a country who,even if he had a home,wouldn't want to go back there. He marries the Indian woman who saves his life (the way you do),becomes accepted in the tribe and represents the Sioux nation in talks with the treacherous white eyes.After lots of adventures he decides he doesn't fit into either culture and wanders off with his family and some survivors of the U.S. Army unit his erstwhile people have pretty much slaughtered.That's "Run of the arrow" for you.Jay C.Flippen,one of the best known Western character actors plays an Indian scout with a ludicrous syrup.Where's the respect for Native American culture there? He looks as embarrassed as I felt watching him.The voice of Steiger's wife is dubbed by Angie Dickinson.Charles Bronson - under gleaming gold make up - plays a Polish Indian chief . Samuel Fuller,beloved of the auteurists,was a good pro who did what he had to do and,if he could,did at least a bit of it his way. Unfortunately for "Run of the Arrow",not much of it was done his way.

No one ever accused Sam Fuller of being a run-of-the-mill Hollywood dream merchant. Run of the Arrow is fairly typical of the noted director-writer's work, applying his thinking man's approach to a well-established genre; in this case, the western. Touching on the moral conflicts of the Civil War as well as the uneasy truce between the white man and the Native American, the movie centers on a disillusioned Confederate (Rod Steiger)trying to find his place in a world in which he has cast himself as an outsider.Fuller handles the visuals and the action sequences with as much confidence as the more intimate sequences of Steiger trying to immerse himself into the culture of the Sioux after what he feels is the humiliating defeat of the Confederate forces to the Union. While he lacks is the poetic sweep of a John Ford, Fuller is refreshingly unsentimental and takes pains to establish the subtlety of the characters and their conflicts. Still, it is by no means a perfect movie, undermined by the dreadful miscasting of Rod Steiger in the starring role. Although a highly skilled actor who has often excelled at portraying multi-dimensional, morally ambiguous characters, Steiger seems out-of-place as a Confederate renegade and his Irish brogue only calls attention to his uneasiness. Fuller barely shows any interest in fleshing out the relationship between Steiger and the Indian squaw he marries, casting a nondescript and unappealing actress for the love interest. But Brian Keith and Ralph Meeker are excellent as the Union officers, one kindly, the other oozing villainy from every pore.The movie is a natural for fans of adult, upper-scale westerns (a la The Gunfighter, Shane, etc.) while the more action-oriented buffs won't feel entirely left out either.