Hooper (1978)

People are voting emotionally.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

The movie really just wants to entertain people.

"Hooper" is a delightful tribute by star Burt Reynolds and director Hal Needham - both of whom began their careers as stuntmen - to those brave men and women who risk life and limb for the movies. It remains endearing and upbeat throughout, sometimes getting serious but never melodramatic. It's naturally jam packed with amazing stunt work, and quite a few explosions as well. The cast is completely engaging, and everything is played with a respectable amount of humour.Burt plays Sonny Hooper, an old pro stuntman who realizes that a new day is coming, and that a new breed is emerging: younger, tougher, more daring. A prime example is up and comer "Ski" (Jan-Michael Vincent), who comes to work on the same movie that Sonny is currently gaffing. It's Ski who encourages Sonny to try one of the riskiest car stunts ever filmed."Hooper" has just enough story to be involving, and one can't help but like these characters. Burt is charming, with an incredibly foxy Sally Field playing Gwen, the girlfriend who stands by him. Vincent is very likable, as are the supporting performers such as Brian Keith, John Marley, James Best, Adam West (in what is really a nothing role, as the actor for whom Sonny doubles), George Furth, Don 'Red' Barry, Robert Tessier, and Tara Buckman. Comedian Robert Klein is good as Roger Deal, the jerk director of the movie-within-the-movie, who cares not for going over budget or risking lives as long as he gets his shots.Burt has a great moment right at the end as he acknowledges us in the audience before providing us with an appropriate and satisfying punchline.Eight out of 10.

A lightweight look at 'the life of a Hollywood stuntman' (as the song featured on the soundtrack would have it) directed by a former stunt co-ordinator. Likable and fun - it comes up with plenty of amusing situations (and, naturally, dangerous stunts) throughout - but, ultimately, it's pretty forgettable; certainly not up to the level of the more significant (and relatively more serious) THE STUNT MAN (1980). Still, it takes care to deal with the bodily harm long exposure to this kind of work puts on an individual, as well as the strain on personal relationships; the film also pays sentimental tribute to ageing exponents of this short-term field (in the persona of Brian Keith).Lead Burt Reynolds is his usual mischievous, if limited, self; at one point, he shows hotshot newcomer Jan-Michael Vincent highlights from his past work - including scenes from John Boorman's DELIVERANCE (1972), an earlier Warner Bros. production which had co-starred Reynolds! The supporting cast includes Sally Fields as Reynolds' current girlfriend (and Keith's daughter), John Marley as a sympathetic film producer, James Best as Reynolds' sidekick, Adam West as the film star whom Reynolds' character usually doubles for - and, best of all, Robert Klein as Roger Deal, an egomaniacal film director who will stop at nothing for the sake of putting his "artistic" vision on the screen (a character reportedly based on Peter Bogdanovich, with whom Reynolds had worked on NICKELODEON [1976]!).

Well, another funny-profane-interesting-irreverent Burt Reynolds movie of the 1970s. He made so many of these type of films, several with his girlfriend at the time, Sally Field. Almost all of them have the same feel to them.Field echos Reynolds good looks and bad morals by running around in a tight shirt with her nipples showing and pair of short shorts with a butt sticking out. This is not untypical of the movies in the 1970s, where "freedom" had arrived and many filmmakers abused it. No one had more fun with those low-moral characters than Reynolds (and Fields, I suspect, too).Yet, I have to admit most of the Reynolds films, including this one, were never boring and usually fun to watch. Being young and a bit immature helped us appreciate these movies back then.

Seems like people either loved or hated old Burt back in the 70s. He was huge. Funny thing about his career was the fact that his early B movies in the 60s were serious little numbers on the whole and he never seemed to get anywhere. Then in a supporting role in Borman's "Deliverance" he exploded on the movie scene like an atomic bomb. Even his longtime fans from his "Gunsmoke" days like myself were stunned. Then, again he seemed to be stalling. Then he did something most of us where not expecting...he went pedal-to-the-metal comedy. Burt Reynolds was funny...very funny. His arrogant demeanor evenly tempered by a twinkle in his eye, he could charm a cornered rattlesnake. His fans were in on the joke the whole time while the others just plain hated him. It was their loss. He would go back to the serious movies after his tenure as the top box office dog, and he would finally get the much deserved respect from the Hollywood Mafia he had earned, but Burt at his best for most of us is still Burt being funny. Hooper, for me is still his best film while at the top. It was his poke in the eye at Hollywood and the crap so many actors have to endure. In a nutshell- Director is an ass, doesn't care about anyone but himself and his movie. Producer has no spine. Writer is treated like hired hand. Certain actors are treated like royalty while the stunt doubles do all the real (and dangerous) work the actors will no doubt get rave reviews for. Hooper's the best because like all the great stuntmen and daredevil types, he's a thrill junkie. Everyone knows he can't turn down a challenge to attempt the next bigger and better stunt. But he's getting old and the pounding his body has taken is catching up. His girlfriend wants him to stop and raise horses with her. Her father was a stuntman and when Hooper was a snot nosed wannabe he hounded the older man until he took him in and became his mentor. Now a new snot nosed wannabe is hounding Hooper. He sees what he's becoming in the old man, now just another Hollywood relic, and he sees what he once was in the new kid, the promise of becoming the best. Brian Kieth as the old man is outstanding. He was an underrated actor his entire career. Jan Michael Vincent is almost as good as the new kid hot on the heels of Hooper's King-of-the-Stuntmen Crown. As with all these Reynolds' comedies in-jokes and silliness abound, and action is top notch. Unlike the others this film also has good dramatic moments. Reynolds was never a great actor, but by the time this film was made he had become a damn good one. Supported by Sally Field and Brian Kieth and Robert Klien and many others, it's one of the best films he has made so far. Ex-NFL great Terry Bradshaw and several other off the wall cameos are peppered throughout. The twinkle never goes away and at the end Burt looks us straight in the eye and throws the final punch just for us. It may not be great "film" but it's great "Movie" making, just plain popcorn munching fun. If you like Burt, this could be the ultimate Burt Reynolds movie. If you like movies about Hollywood or just like to laugh or thrill to fantastic stuntwork this movie is a must.